Cine y Audiovisuales-Pregrado

Permanent URI for this collectionhttps://dspace-test.ucuenca.edu.ec/handle/123456789/164

Browse

Browsing Cine y Audiovisuales-Pregrado by Subject "Actuacion"

Filter results by typing the first few letters
Now showing 1 - 5 of 5
  • Thumbnail Image
    Item
    El bajo concepto y la creación de personajes reales en el guión de Los Fracasados
    (2015) Carrillo López, Esteban Santiago; Wazhima Monné, María Melina
    Clearly whenever we watch a movie or television series, what we want is to be told a story. The stories at our disposal are infinitely diverse, but they all fall within two categories depending on the approach they take over the plot: they can either be high concept or low concept. In this text the differences between the two categories is explained, how and why high concept encompasses stories that emphasize plot, while low concept stories emphasizes the inner feelings of characters. The historical difference of the two styles is exposed, as well why this is an extension of patriarchy within the world of entertainment. The importance of characters to any story is also touched upon and why some characters, depending on the mode of their creation, can be perceived as real people by audiences that have become fully involved. It is also explained how television can create these characters at a higher rate due to letting the audience spend much more time with the characters. Finally, the process of creating the characters for Los Fracasados is discussed, and how the actors had a defining role in the process of shaping them as real people.
  • Thumbnail Image
    Item
    Conciencia y eliminación del exceso de tensión del rostro de una actor en los primeros planos. Seguimiento y preparación del actor del cortometraje: Tienda don Augusto
    (2015) Peralta Báez, Marco Andrés; Gonzalo Jiménez, Gonzalo
    The following thesis is about the tension that an actor feels inside their body and finally involves his external body itself, specifically in the case of this investigation the facial expressions of the actor.This thesis goes deep on the process that an actor has to follow for achieve an state that lead him be himself freely with the character of the fiction and at the same time be true to himself as a person. The thesis has tree stages that involved the development of a calm and sane mind that follows a relaxed body, which finally allow the actor enter the character. The first stage explores the bioenergetics the concept developed by a psychiatrist named Wilhelm Reich and the studies that Lowen one his disciples explored in the last century. This explains all the psychological items that affect the body, breading and action of it. The second stage explores the physicality of the actor and the work of the auteurs like Grotowski and Eugenio Barba. This stage wants to understand the body from the acting perspective, not just his relaxation but also his impact n the work of the actor. The last stage in the investigation is the application of these theories of body exploration on the actor of the short “Tienda Don Augusto”, and his following trough the acting process, to see the results.
  • Thumbnail Image
    Item
    La dirección de actores en el cine de comedia aplicado al guion “Quiero ser payaso"
    (2015) Quintuña Tigre, Christian Johny; Gonzalo Jiménez, Gonzalo
    The purpose of this thesis is to help clarify and redeem the work of an actors’ director in a comedy; due to the fact that in our country, this genre and filming in general have had a lacking of an acting level. Additionally, it analyzes the different tasks an actors’ director must fulfill at the moment of directing and preparing actors, who must play roles properly in a comedy film. First, we are doing research and deducing the different theories and applied concepts of important Film directors, who have contributed with their experience along these years, and there is no doubt that this experience will help develop our work in this document. Following this, we will do a comparative analysis between two comedy films: an Italian and an Ecuadorian whose analogy allows them to glimpse the relevance they have had in the film work of their countries. After having researched and analyzed each given concept by every single studied directors and actors; a narrate of such concepts will be done applied to the short film QuieroserPayaso. The objective is to set the learning parameters of a final work, which contributes to the filming range, especially the acting field in our environment. It is fundamental to highlight the work of an actors’ director who has worked together with the cast when starting the film project.
  • Thumbnail Image
    Item
    Los fracasados: el actor de cine en el Ecuador, como creador y transformador de emociones en el espectador
    (2015) Erazo Proaño, Yesenia Jazmín; Gonzalo Jiménez, Gonzalo
    The work of an actor in an audiovisual project is of utmost importance, the viewer identifies and gets excited with the actor’s actions. An audiovisual project transmits many things, among them emotions; every spectator is free to feel and get excited with whatever they choose, but the actor is obligated to be real and transmit. Not with this goal in mind, but with authenticity and being natural. It’s possible that a viewer does not understand acting technique, but they do understand and comprehend when something appears real, and it’s like this that they manage to empathize with the piece and even more with the character. There are different ways of transmitting emotions, it could be verbally or silently, it could be through a gaze or through sounds; but undoubtedly every audiovisual project transmits and excites whoever is watching. Acting is not about faking, to transmit emotions to the viewer, the last thing that must be done, is fake something. An actor must achieve to excite on his own, without the need of forcing sound or cinematography to support them, by being natural and living a reality within fiction. When an actor manages to feel for real, they will transmit the same; which means that every viewer will understand the same and share the feeling.
  • Thumbnail Image
    Item
    Muerte súbita: ¿Dónde está el límite emocional y físico en la preparación del actor en el cine?
    (2017-06) Giese, Gabriela; Gonzalo Jiménez, Gonzalo
    The following research is about acting techniques that are based on methods used by Konstantin Stanislavski, Sanford Meisner, Lee Strasberg, David Mamet and Fátima Toledo. The theory presented here has been applied on the audiovisual project Muerte Súbita, filmed on may 2014, under the direction of Diego Ulloa. Through this document, the writer seeks to contrast acting techniques considered invasive to the actors, in order to set boundaries for a healthy preparation (physical and emotional) of the actors.