Artes Escénicas-Pregrado

Permanent URI for this collectionhttps://dspace-test.ucuenca.edu.ec/handle/123456789/313

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Browsing Artes Escénicas-Pregrado by Subject "Actores"

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    Análisis de las acciones físicas en la construcción del personaje Manuel de la Obra “La Mama Huaca” del grupo de teatro Hijos del Sur
    (Universidad de Cuenca, 2024-06-12) Bermejo Vélez, Julia Nube; Donoso López, Clarita del Rocío
    The present investigation is based on the analysis of the body actions of the character Manuel from the workshop La Mama Huaca of the Hijos del Sur theater, where its creator and interpreter used the different mechanisms and exercises based on the proposal of Eugenio Barba and the Anthropological theater for the preparation of the character. The same one that details his acting exercises and how they were used for the personifications achieved that was staged
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    Sintetizar la noción de entrenamiento personal desde los conceptos de Jerzy Grotowski y Eugenio Barba para generar un laboratorio donde el entrenamiento sea el principal objeto de estudio
    (Universidad de Cuenca, 2023-02-27) Patiño Patiño, Hernán Esteban; Carrasco Espinoza, Diego Alfonso
    The aim of this graduation work has been to synthesize the notion of training, from the concepts of Jerzy Grotowski and Eugenio Barba, in order to generate a laboratory where training is the main object of study. Taking into consideration that the interpreter's work cannot be born if he/she does not have clear training tools. This research leads to analyze the actor's training in a deeper way, starting from the need to understand the exercises as a tool that can be adapted to the interpreter-creator's body, without losing the sensory objectives for which they are made and in turn generate a scenic performance that has as a starting point the elements resulting from a training understood and applied in a personal way to the interpreter's body situation; The same way it can be experimented to be crumbled and transformed to mutate into clear but connected tools, generating in the performer a body-mind ready to understand, integrate and register these results in himself/herself and in his/her scenic work.