Artes Escénicas-Pregrado

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Browsing Artes Escénicas-Pregrado by Subject "Actor"

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    Estudio de la noción teatral Cuerpo sin Órganos de Antonin Artaud como herramienta para la construcción de la corporalidad de un personaje escénico
    (Universidad de Cuenca, 2021-11-24) Mazón Vivero, Wellington Abraham; San Martín Arévalo, Diego Paúl
    The text in Theater has been the driving element for staging, characterization, set design, dialogues, costumes, music, lighting, intentions, etc. The main concern for contemporary theater is to re-signify the body of the actor; turning it into a living text on stage. This thesis analyzes the body and its transcendental transmutations from the acting and shamanic point of view. There will be an explanation in greater detail on how a special corporality emerges from a new body that the actor or the actress develops by being bodily aware of the expressive limits imposed by his social and emotional body; which will be - virtually - emptied and stripped of all their organs. The subject to be investigated corresponds to the Theatrical Universe of infinite and varied possibilities that Antöine Marie Joseph Artaud, Antonin Artaud, the metaphysicist of the Theater, conceived; and specifically, to the body, its different qualities, regions and corporalities used by each stage character that actors create. As well, I performed an extensive study about the body and body without organs or organless body according to Artaud, but from Gabriel Weisz’ perspective. Weisz is a theatrical anthropologist, expert in corporal philosophy of the Mesoamerican shamanic culture of Nahualism/Tonalism. The physical presence, conformation and the respective corporality of different types of bodies will be thoroughly explored in order to enrich the communicative baggage of the scenic artist, reflecting the body as a vital artisanal medium for transmitting overwhelming and convincing messages to the public with the practical and theoretical support of other authors.
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    La exploración de la voz del actor para la creación del personaje de la muestra Historias Trenzadas a partir de la propuesta de Eugenio Barba sobre los principios que retornan
    (Universidad de Cuenca, 2022-04-22) Ramos Jumbo, Pablo Andrés; Carrasco Espinoza, Diego Alfonso
    The following graduation work is situated in the investigation of the actor's body. It has relation with the anthropological theater that Eugenio Barba proposes, it is deepened in the principles that return that it speaks in his book The Secret Art of the Actor. Above them the voice is explored, to build a character. The interest of this research is generated from how the body from these returning principles, is transformed and generates a state of pre-expressivity, perception and body awareness for the scenic creation. Then, a body training is proposed based on these principles in order to take the body to the required state. This body state serves as a platform for the exploration of the voice, the place where this investigation lies. The exploration of the voice comes from a previous laboratory work where this research cell was created. To settle this exploration more effectively, we will take as reference the book Organic Bases for the Education of the Voice (2002) by Ana María Muñoz and Chistine Hoppe-Lammer. In the end, body training and voice exploration are connected to explore, reflect and settle in the construction of a character that is reflected in the sample Braided Histories.