Artes Escénicas

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Dolor de parto: watrananay
(2010) Briones Abad, Lourdes; Vega Carpio, Johanna; Pacheco Rubio, María Belén; Patiño Quezada, Mabel; Carrasco Espinoza, Diego Alfonso
Creación, dirección y montaje de la obra de teatro: ensayo para una comedia, con la participación de cinco personas no videntes
(2011) León Cabrera, Fabiola; Líger Luzuriaga, Juan; Burgueño Alcalde, Loreto
El arte y la conciencia social: síndrome de bullying
(2012) Bustamante Armijos, Verónica Cecilia; Ortiz Mosquera, Fidel Ernesto
Bullying born as a result of teen suicide studies in the 70s, its founder, psychologist Dan Olweus of the University of Norway, found that many teenagers and children are attacked in the schools by their peers and from this begins to be seen as a subject of study. This has been characterized as a hidden issue, ie has no specific reflections by educational institutions and others in charge of welfare of teenagers. And many of them in the absence of complaints does not see it as a research topic. For this research, a survey was conducted in two educational institutions of the city of Cuenca, which confirmed the existence of this phenomenon in high level, in a city where the society sees it as normal or as part of the teenagers growth. That is why there is the need to make evident this issue, and was resorted to art, specifically dance and theater, which will serve as a tool to approach to teens and provide them a better education in which not only takes into account the academic side but also the emotional and psychological. And as a result of this research was created a play of dance and theater "what it is not seen‖, which shows the life stories of each of the performers who have suffered from bullying
Julieta y julieta
(2013) Romero Tapia, Marcia Paola; Peroff Montesinos, María Isabel
Within the major it has given us several staging techniques and construction methods. For my installation I chose to work from the Anthropological Theatre, Stanislavski method and contemporary dance. The Dramaturgy is based in the classic play "Romeo and Juliet" from Shakespeare. I proposed myself to develop an installation with experiences of people that have different sexual tendencies: lesbians. While in Ecuador laws, now a homosexual couple can live together, but it’s still not resolved the legal issues as well as the religious issues, because of discrimination. Therefore this proposal I want to sensitize the spectator taking as a reference Shakespeare's tragedy "Romeo and Juliet" by transferring it to a new contemporary language and calling it "Juliet and Juliet". The lack of acceptance is evidenced by the problems of communication, information and education about the diversity of nuclear families that can and should exist freely in Ecuador and in the world. We need to start changing our mentality and resolve these kinds of problems quickly and what better way of thinking based on the enjoyment of art. In this stage proposal we will discuss the problems posed by Shakespeare: the struggle of social classes, love is not allowed, hidden love, love and hatred between families, in this case would be coupled to a contemporary language with the experiences of homosexual couples would be “Juliet and Juliet” , a love that is present but full of the same old problems. I invite you to be part of this scenic product that will be revealed in the story that has been investigated during the research process
Los símbolos del erotismo a través del cuerpo
(2013) Martínez Albarracín, Andrea Johanna; Petroff Montesinos, María Isabel; Castillo Díaz, Bruno
Estudio estético de la dramaturgia de Isidro Luna en su trilogía, Alpaca Amarilla, propuesta de actuación y puesta en escena de la obra el Ángel Exterminador II
(2013) Jara Bermeo, Johanna Priscila; Rodas López, Fabiola
In this thesis, we develop analysis and staging of the playwright cuencano Isidro Luna, "The Exterminating Angel II", belonging to the second part of his trilogy "Alpaca Yellow". It has been used as baseline expressionism, using as symbolic elements that highlight the socio-political era in which it was written. Also includes herein the development and evolution of the characters and the axes of motion in each scene. But not before rescuing the conceptual description of the elements necessary for the development of the same, as has been used axis contemporary subjectivism, expressing the reality that many do not want to see in our society
Danza teatro: rescatar el movimiento cotidiano re significarlo y llevarlo a escena
(2013) Reinoso Bueno, Lina Gabriela; Burgueño Alcalde, Loreto
This thesis is quite a character tinged qualitative research so we used the triangulation system, we will talk about a phenomenon from three different perspectives, from the praxis, (gesture and body movement) from theory (dance theater) and from creation (proposed address.) Studied triangulation born a creative ―Hornado Lancome‖ staging in the market April 12, in the city of Cuenca, initial space research. Throughout the chapters find the theoretical framework that encompasses the concepts of body gesture and movement, as well as aesthetic references analysis, development of the methodology of the proposed technique address containing worked, scenic elements and interpreters required in this process and the final project staging.
Uso de desplazamientos con la técnica de Danza Contemporánea Flying Low dentro de un espacio creado con proyección multimedia sobre estructuras tridimensionales, para generar un dialogo entre los componentes que serán parte del proceso creativo de la obra viento
(2013) Rodríguez Vargas, Rita Gabriela; Petroff Montesinos, María Isabel; Castillo Díaz, Bruno
This paper is a study of use of multimedia technology with image projected on objects (mapping), and how the dancer's body moves within this physical-virtual space with contemporary dance technique Flying Low. To generate a dialogue between virtual and physical elements, developing a new system of understanding of both the body and technology, from their own languages and merging them. It is an interdisciplinary work that seeks cohesion of various artistic languages for use in contemporary dance and the performing arts in general, creative processes and developing new plastics, and breaking the marked space between the corporeal and the virtual
Composición coreográfica del estilo contemporáneo de la danza, utilizando y analizando 7 labores del juego de la Escarumuza figuras coreográficas del cantón Girón
(2013) Peña Montero, Paúl Esteban; Castillo Díaz, Bruno; Petroff Montesinos, María Isabel
On stage we can observe the seven tasks that are used to play "Escaramuza" at canton Girón of the province of Azuay. It shows the public how the intangible patrimony on stage becomes visible through the body movements of dancers trained in dance and theater. It will join the wealth of the symbols and signs of the mestizo people of Azuay with the contemporary dance as an universal language. We get a hybrid product of easily comprehension to the public so that the only objective of this work is to acknowledge the variety of choreographic figures of our Azuay Folklore. The dancers are 4 men who play the role of "Guias Mayores" and "Cabecillas". There will be an actress who will play "Loa", a character who has a poem dedicated to the patron saint of Giron. In this case, the "Señor de las Aguas de Giron", during the research process it was found a Reto's bufo and ironic parliament , a character who is part of the "Escaramuza" that it intercalates with the development of the seven tasks
Adaptación del texto dramático Ollantay con herramientas del teatro físico para proponer un lenguaje escénico que permita a la obra de origen prehispánico trasladarse a la contemporaneidad
(2013) Solano Narváez, María José; Petroff Montesinos, María Isabel; Castillo Díaz, Bruno
Using the tools provided by the physical theater, creating a scenic and dramatic language, to enable the work of pre-Hispanic origin, Ollantay, transferred to contemporary, allowing you to visualize individuals to know and rescue part of their cultural identity, which is reflected in the presentation of "Ollanta, guerrero en la basura" who from circumstances propose a dual personality of the original legend ephemeral yet relate them to the present which an individual lives, questioning about what we take as part of our identity in the cultural field
Creación de una obra de teatro mediante el teatro físico, con elementos oníricos infantiles
(2013) Dután Tamayo, Diego José; Peroff Montesinos, María Isabel
This project is based on the research of the dream world of children. It was born as a tool to create a stage show, for both theater and dance, and expose them to the public. Through this theoretical research process, and practical research process, it was managed to find a language between movements and childhood dream symbols. In the same way, it was used as tools Eugenio Barba and Anne Bogart techniques to achieve a body performance that not necessarily need to be understood. With the use of children's drawings it was achieved to interpret what happens in the dreams of children, their desires, concerns, fears, joys. Those being taken to the use in the play
Puesta en escena sobre el cuerpo que migra en base a la antropología teatral:análisis de historias narradas de emigrantes de la provincia del Cañar, creando una metáfora para la construcción de una muestra escénica de teatro, mediante la antropología teatral
(2013) López Mejía, Nataly Estefanía; Peroff Montesinos, María Isabel
There are many factors to be considered in the development and execution of a project. This work is based on the analysis of stories about people that, for some reason, closely lived the migration process and the concern of a loved one. The elements that born from this stories are break down. Through the Anthropological Theatre, a dramaturgical about the migrating body’s ability to transformation, is created and is staged.
El transgénero y el arte escénico a través de una identidad de género sin condiciones socio culturales
(2013-07-22) Delgado Andrade, Andrés Felipe; San Martín Arévalo, Diego Paúl
This project develops a research on the performing arts and gender roles, since in this field gender roles and sexuality are a reflection of the socio-cultural conditions that exist at the national level. This is a study project which exposes the social construction made by the heterosexual system to meet the gender and sexual conditions. Gender roles have been reinforced by the performing arts especially in ballet, where the artist is placed on stage by sex to which it belongs, which contribute to the artistic limitations of the dancers and in general artist. This thesis proposes a performing art without gender and sexual norms and the option to see the human being and the love of got on top of the genders, sexualities and conventional esthetic. In the first two chapters we find the conceptualization of terms used throughout the investigation, and then in later chapters establish the relationship between gender, sexuality and art, as well as a creative everyday practical result of this research.
La creación de personaje a través del ciberespacio
(2014) Verdugo Calle, Fabián Miguel; Vázquez Martínez, Juan Andrés
This dissertation seeks to establish a methodology of creating character, building theoretical acting shaft three streams: Technical Naturalist, which provides actors insight into their emotional universe; Theatre Anthropology, which helps define the body structure of the characters and get stage presence; theater image finally contributing to the establishment of the actions of the characters on stage. In addition we consider the influence of social networks in the contemporary human behavior, focusing on the communication tool Facebook and images that fluctuate through this medium that reference festivities users between 19 to 25 years age in the city of Cuenca. The theme comes from the need to expose through the stage play “El abismo de la red", the power handling of the identity that owns this network and its pernicious influence on the user, who gets caught in the compulsive use of this medium to the point of generating a negative addiction, which upsets his personality.
Análisis de las variables de acción representado en el montaje del ejercicio escénico: ENTRE DOS
(2014) Peñaloza Duarte, Katherine Alexandra; Carrasco Espinoza, Diego Alfonso
"Between Two" is a montage of dance-theater exercise, which reflects the action variables. This scenic exercise proposes the exploration of interpreters in a pragmatic logic of acting, which it would allow to translate into a body that lead to a grammar expectable mounting, mounting Seed Artwork Between Two.
Influencia de tres recursos literarios del poema. Boletín y elegía de las mitas” de César Dávila A. en la creación coreográfica anti narrativa sobre el mismo
(2014) Pico Cabrera, Jonny Xavier; Cardoso Aguilar, María Inés
This Choreographic work is about the poem “Boletín y Elegía de lasMitas” of Cuencano writer César Dávila Andrade, this is a poem that has transcended Ecuadorian literature for its fascinating use of words and the topic of the Spanish conquest to Ecuador. This literary work contains some expressive elements in their syntactic structures of which will work in this dance work more with literary devices: alliteration, onomatopoeia and acoustic metaphors, where the linguistic sign of the literary piece is set. The literary resources provide the poem by a sound that contains a subtext of the main ideas: pain, protest and identity; and from these literary figures start the search process of body movement, allowing the body is affected by sound vibrations poetic text, so that the dancer is able to assimilate these sounds, and translate into images, sensations and movement. In the scenic work, is considered the methodology of Merce Cunningham about chaos and chance, and the technique of improvisation, with the objective of avoid a caricatural and linear narrative construction of the poem, a mechanized interpretation, what is sought is an appropriation poem by dancers, genuine interpretive actions found by themselves, and above all a search of movement guided by the sound and content of the literary piece. The choreographic composition is influenced by the current aesthetics of minimalism, with the motive of demonstrating not needing an extensive and complex composition of movements and scenic resources in general, to convey the expressive force and spirituality of the verses of Davila, is more interesting to those small details that resonate in the body and develop a space - temporal dimension
Estudio de la corporeidad del Pasillo Ecuatoriano
(2014) Idrovo Torres, Valeria Patricia; San Martín Arévalo, Diego Paúl
El Pasillo, is a musical rhythm that is considered an identity in Ecuador, and recently it has caused controversy. The following investigative work, demonstrates the influence this rhythm has over the Ecuadorian people. To do this, we have asked a group of volunteers of various ages and we interviewed them on the matter. They were interviewed regarding their knowledge, and experimented their body reaction towards the rhythm while they were in their intimate spaces. As a result, the development gave way to the staged play “Cuerpos del Pasillo”. The production brings together the previous research in a single montage.
Ramillete de caminos: el estudio de la Chakana y su influencia en construcción de las expresiones artísticas corporales contemporáneas en la primera década del siglo xxi en Cuenca
(2014) Puma Uguña, Nelly Alexandra; Rodas López, Fabiola Virginia
The proposed present of investigation is to carry out a study of the chakana, about its symbolic-cultural value and to determine how its permanency is marked in the contemporary culture and of what it forms the chakana it influences in the creative processes of some local groups of traditional dance. By means of this information it is sought to design a methodology of scenic construction and to elaborate a dance-theater assembly that contributes to the development of the Ecuadorian scenic art, and reinforce the appraisement of the Andean symbols in the current culture. “Bouquet of roads” it is a dance assembly - theater that one knits starting from psico-corporal states that are derived of the experimentation actoral, with the four elements of the nature (it dilutes, fire, earth, air) that they become factors that stimulate the movement, the corporal energy and they configure the general dynamics of the work. It is also based in the exploration carried out in some groups of traditional dance of Cuenca, to know their working methodology. To all this it is added my personal vision of the contemporary dance and the theater, to be able to this way to approach the coalition of scenic languages. The work has as symbolic axis to the old man that represents the earth, the air, the fire and the water. The corporal work of the dancers evokes mythological gods and sacred animals of the Andean mythology. It is appealed to sounds of traditional instruments of wind and several authors' music. The conception of the choreographic design in the space, manages the geometric forms of the chakana that represent the cycles of life of the human being inside the Andean cosmovisión
Experimentación de ejercicios de teatro y danza basados en los sonidos de instrumentos musicales de la cultura afro-esmeraldeña
(2014) Guzmán Salinas, Paola Valeria; Carrasco Espinoza, Diego Alfonso
The study constructs a narrative of the iconographic levels, and iconological religious art of the nineteenth century with the theme of good and evil, which provided the key tools for the process of evangelization. The engraving of “The Temptation of Saint Anthony”, canvases of “The Last Judgment” and “The Archangel Michael” are significant in terms of its theological content with an aesthetic that manages a speech of elements such as heaven, hell, angels, and demons, responding to religious orders, as well as the human groups that are linked to these works and how these principles are present in the current imaginary; separated from its evangelizing power, images and religious notions become a new aesthetic, artistic, social and historical evocation.
Investigación y dirección escénica en base al poema Quiero de Jorge Bucay de lenguaje de señas, mediante herramientas de danzateatro para una propuesta escénica
(2014) Moncayo Orbe, Verónica Cristina; Vázquez Martínez, Juan Andrés
By using the dancing-theater style from Pina Bausch and the Anthropological Theatre technique, a scenic language has been created from the text "Quiero" by Jorge Bucay: "I want you to hear me without judging me; I want you to think, without advising me..." Here, everything is put together using sign language, turning it into a dancing-theatre staging. This work is intended to show the reality of deaf-mute people, i.e. how their world is; what they hope, what they think, and their relationship with others. In addition, they can use sign language as a tool in dancing-theater performances. Also, this play centers in spectators, who will finally tell if the message reached all alike, taking into account that we have two types of audience: the deaf-mute and people without any disabilities.

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