Browsing by Author "Novillo Mora, Angel Gustavo"

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Animals Parts, uso y des-uso en el reino animal
(Universidad de Cuenca, 2023-12-11) Chalco García, Belén María; Novillo Mora, Angel Gustavo
“Animals parts uso y des-uso en el reino animal”, is a artistic production of art object. The production have been elaborated with common residues taken from animal waste used by human being all days for example bones, wool, feathers and scales with this elements make common objects. The concept of workarte was born as a response to man´s habit of using animals for his financial and pleasurable benefit. Bioethics and morality are the defiance in this artistic proposal just as publicity in the animal consumption market, the production aim to play a critical, metaphorical and satirical role in response to actually society in order to understand the subject from the point of view: animalist, philosophical and artistic.
Cultura Jambelí, germen de la identidad en la provincia de El Oro
(2017-06-05) Cunalata Castillo, Miguel Angel; Novillo Mora, Angel Gustavo
The arts can serve many functions in the context of the culture where they breed , assuming different forms of expression , one of which is the symbolic representation of social facts , to communicate and reflect the history, customs , thoughts and even utopias of a people. From this perspective assume the office of the sculpture, first to discover, and then we develop for the historical content a cultural region, particularly the orense coast. When deciding a plastic work related Jambelí culture, prehistoric ancestor of the province of El Oro, thinking we do need different forms of expression, one of which is the symbolic representation of an icon or handle an ideographic set to integrate and identify the population of this Province. By spreading and empowering their meanings aspires to mature citizenship, culture, identity and the good life of their bearers. It is important that the characteristics of a community, particularly those concerning the historical identity as The arts can serve many functions in the context of the culture where they breed , assuming knowing our past can defend our identity is determined.
Diseño editorial de un folleto ilustrado de medicina ancestral kichwa de La Amazonía
(2016) Ordoñez Palacios, Carla Patricia; Novillo Mora, Angel Gustavo
With the purpose of collaborating in the preservation of the oral, iconographic and ethnobotanical intangible heritage of the original Kichwa Sarayaku people, through a collaboration between their empirical knowledge and art, the use of medicinal plants and their respective practices will be presented. Shamanic healing and visionary Present in their worldview, this information will be obtained through a field research showing and taking particular traits in their ancestral medicinal rituals. Handled from an artistic and editorial approach, it will result in a booklet focused and focused on the structural diffusion of its native language, an emotional message accompanied by its facial and ceramic decorative art applied in illustrations
Diseño editorial ilustrado para rescate de cuentos populares de Santa Isabel
(Universidad de Cuenca, 2024-01-16) Cevallos Lucero, Wilson Adrián; Novillo Mora, Angel Gustavo
ILLUSTRATED E D I T O R I A L DESIGN F O R THE RESCUE OF P O P U L A R STORIES FROM THE SANTA ISABEL CITY is a project that was born with the intention of creating a nice proposal to publicize the popular stories from Santa Isabel City and create a graphic line that identifies attracts the users. This project tries to create and standardize a graphic and editorial line to collect popular stories and traditional stories of events in the Santa Isabel area and thus provide suitable material so that they can enjoy this type of narrative.
El poema boletín y elegía de las mitas ilustrado sobre violín
(Universidad de Cuenca, 2021-12-08) León Arévalo, Pablo David; Novillo Mora, Angel Gustavo
The scope of art is shown increasingly accessible, from the classical to the ephemeral, in which its concept transcends physical work; the present research aims to show the development of narrative illustration as a work of art, in which the importance of the artistic support as an active part of the work is described, as well as the materials that are used to capture the message contained in the poem "Bulletin and elegy of the mitas" of the writer cuencano César Dávila Andrade.
Estetización ecuatoriana del funko para el fortalecimiento de la participación nacional en las dinámicas de la Cultura Visual actual
(Universidad de Cuenca, 2024-09-13) Montero Vázquez, Jessica Anahí; Novillo Mora, Angel Gustavo
La currente industry del entertainment has invested in the representation of diverse figures related to video games, series, movies, among other visual productions. Certainly, the resulting iconography is highly international, as it is constructed by the most developed countries. In this context, we set out to enrich the Funko with Ecuadorian aesthetics as a visual practice in the current entertainment industry, increasing Ecuador's participation in the dynamics of the prevailing visual culture. To this end, a set of six figures representing different nationalities was contributed, sculpturally resolved, entirely in line with the mentioned contemporary genre. Each of these nationalities and/or indigenous communities in Ecuador will highlight the aesthetics of the clothing used in their community and culture, serving as an element that promotes the playful and educational component by fostering awareness of the Andean plurinational nature characteristic of Ecuadorian society. The aesthetic experience is aimed at the hedonism of a primarily international audience, aiming to enrich them with renewed iconographies from the American regional context, which will add value to an already international practice of collecting and promote the diffusion of Ecuadorian national identity throughout the world.
Fantasía y ciencia ficción: representaciones artísticas de los miedos potenciales sobre el desarrollo de inteligencia artificial
(Universidad de Cuenca, 2024-11-21) Romero Bermeo, Daniel Efraín; Novillo Mora, Angel Gustavo
In recent times, progress in artificial intelligence has sparked growing interest among society, generating debates and raising doubts about its application and scope. Faced with this reality, the need arises to embark on an exercise of creative fantasy through which the fears and uncertainties that such advances awaken in us can be exposed. To this end, the development of a visual narrative based on the science fiction genre is proposed, in which the intersection between humanity and technology is illustrated, promoting critical reflection through fantasy in the visual arts.
Fragmentos de un sueño cosmogónico
(2008) Brito Abril, Edwin Bolivar; Novillo Mora, Angel Gustavo
Galería de personajes populares de Cuenca (Ecuador), contemporaneizada estéticamente con el lenguaje del pop art
(Universidad de Cuenca, 2023-02-06) Zhiñin Tigre, Christian Fernando; Novillo Mora, Angel Gustavo
Gallery of popular characters from Cuenca (Ecuador), contemporaryized aesthetically with the language of pop art, has its starting point in the importance of rescuing and preserving the popular memory, which surrounds the city of Cuenca, in order to increase its historical-social value. An attempt is made to recall some of the popular characters that at a certain moment left a mark for their occurrences and originality in the city, being the axis that gives rein to this work. In conclusion, this artistic exhibition has to contribute to the rescue of the memory of popular characters, which is transmitted through a symbiosis of techniques and stylistic currents that are compatible with an accelerated society and continuous change.
Ilustración editorial de 5 historias del libro 100 Cuentos Populares del Ecuador del autor Iván Petroff Rojas
(Universidad de Cuenca, 2022-05-10) Cajamarca Llivichuzhca, Paúl Xavier; Novillo Mora, Angel Gustavo
My thesis is focused on changing completely the editorial design of the book 100 Cuentos Populares del Ecuador by the author Iván Petroff Rojas, but with the text of the book without any change in that aspect. In this way the product is already improved to attract the attention of new readers and they are interested in Ecuadorian legends through the use of analogous illustrations that reflect the characters that lived in antiquity in our country.
La ilustración gráfica elemento indispensable de la museología didáctica, muestra de sitio Pumapungo
(2014) Cajas Bejarano, Susan Elena; Novillo Mora, Angel Gustavo
There are many ways used to obtain an active museology, "Pumapungo Museum" expects to increase new projects and plans that supports this new methodology. As we known technological advances and the application of educational, artistic and illustrative plans in museums awaken the interest of all public. The introduction of artwork is a way to contribute to the development of better non-formal education, the proposal on the illustration is meant to be a support to the institution "Pumapungo Museum" since you can use them in brochures, and be distributed to educators and students. Visitors are full of information and knowledge imparted and that's where this material is important for visitors or schools because they can reinforce learning. Some people learn only by observation, the association of shapes and color, the linkage to the requirement of the museum makes it more interesting, therefore the illustrator has a challenge in the changing world we face, teaching without words and without losing the story is an effort to new ways of seeing the museum and the world, as their application is diverse in movies, books, etc.
Intervención pictórica de cuatro problemas sociales en distintos espacios públicos y privados de la ciudad de Cuenca, por medio de street art
(2017) Maurad Maurad, Luis Emanuel; Novillo Mora, Angel Gustavo
Urban Art also known as Street Art makes an appearance in the mid-nineties in the form of simple and plains graphics. However, the constant competition among practitioners has demanded an evolution of this artistic practice, resulting in a plastic expression of aesthetic large value, which to mean that academic, empirical and experimental artists will perform most frequently today. On other hand, for the realization of coherent graphs between concept and form, it is necessary; ability, experience and quality. Since the handling of these three fields the work accomplished their main task which is to clearly communicate your message in the absence of the author, also no longer it considered a transgression of public and private spaces, becoming a pictorial place value, in view of every passerby.
Juego de mesa ilustrado basado en la cultura Inca
(Universidad de Cuenca, 2022-05-16) Arias Illescas, Carlos Alfredo; Mejía Hurtado, Pablo Vicente; Peña Fernández, Juan Daniel; Novillo Mora, Angel Gustavo
The present degree work has the mission of rescuing and taking advantage of the cultural, iconographic, and mythological wealth of a great civilization which is considered one of the most important in history, as it is the case of the Inca culture, that settled in a large part of the territory that today is known as South America. This work is seeking to exploit all kinds of features that mentioned culture possessed,such as: clothing, beliefs, religion, and art as a basis to create a board game. Besides being entertaining and creating a playful space, this board game can provide and transmit information about this interesting aboriginal settlement. Taking as reference the material we can currently find in the market, we can observe the influence of ancient cultures to create all kinds of recreational and artistic products, such as movies, video games, comics, etc. Through the development of this illustrated board game, traditional and digital techniques that encompass the art world will be studied and used to create and develop this playful-artistic material that can get the attention of the public in general. Therefore, we will be sharing ancestral knowledge and taking it to the field of entertainment, which has been little explored subject in our environment. At the same time, we will try to position the history and ancestral knowledge within the general culture of our present days, avoiding it to get lost in oblivion.
La deconstrucción del cuerpo en su tránsito a lo virtual: creación de retratos con fotografía híbrida
(Universidad de Cuenca, 2022-12-02) Parra Torres, Omar Rafael; Novillo Mora, Angel Gustavo
The technological revolution opens up new modes of communication and ways of knowing the planet, without a doubt this technological revolution has transformed culture in recent decades. Thus, the so-called WEB 2.0 converts all users into the product, where quantity is more relevant than quality, that is, as more likes and virtual friends we have, the greater the relevance of the platform or social network., generating in all people the sense of belonging, collaboration, and connection to a group or a digital society. Now, if the ways of developing, retouching, and printing are known for photography, for analog painting we are talking about an issue that is generally directly related to a canvas unless another non-analog format such as is the situation of digital painting; it is for this reason that it is intended to make an analog painting on a digital photographic chemical print.
La ilustración digital en torno a ocho especies de anfibios en peligro de extinción del Parque Nacional Cajas: creación de un catálogo ilustrativo naturalista digital
(Universidad de Cuenca, 2023-05-24) Oña Loaiza, Carmen del Rocío; Novillo Mora, Angel Gustavo
Digital illustration is a graphic tool used as a universal language; the naturalistic illustration shows an invisible reality to the viewer, without losing its essence, being observation the one that allows creating pictorial representations that involve the creative part through analogous and digital techniques; being the watercolors together with the brush stroke the starting point to reflect the variety of vulnerable amphibian species, their shapes, colors and details. At the same time, the illustrations are immortalized by digitizing where the illustrator artist through observation and the help of a digital tablet captures his creativity with the sole purpose that his production is to disseminate and reflect the natural variety through a catalog illustrative digital naturalist in an easy and simple way to raise awareness of people's perception of the world around them, here art merges with science to develop learning, awareness and action for the care of nature.
Libro álbum ilustrado: miedos comunes y universales en la niñez
(Universidad de Cuenca, 2020-09-24) Lituma Ramón, Eulalia Lizbeth; Novillo Mora, Angel Gustavo
Picture book has reached greater visibility through the last years, it is able to tell stories, show a lot of situations and convey emotions. It has become an educational tool and an instrument that helps to understand and talk about difficult topics. The practical work of this project was done by the research about the picture book, its historical background, characteristics and definition. The project covers the research about childhood fears and which are the most common fears. The study targeted 4 and 9 years old children; the information collected and the application of surveys were useful to determine the fears that occur most frequently, therefore, this fears were illustrated with materials and traditional techniques, after that, they were digitized. Thanks to picture book, the children are able to relate to these issues. They can catch and understand them without any discomfort. Hence, this work is intended to use this tool as a way to express children's fears and help them to deal with these situations and emotions, this way we can avoid future trauma.
Modernismo pictórico y arte contemporáneo en Guayaquil del 2000 al 2010
(2014) Cabanilla Urrea, Sara María; Novillo Mora, Angel Gustavo
This research work analyzes the influence that pictorial Modernism and contemporary art trends have had in the development of the art circuit of Guayaquil in the first decade of the new millennium. Problems such as the feeling that there is a certain lack of knowledge of the work of prominent local artists and of contemporary art practices among some groups of people, the process of change that generates artistic and cultural debate in a very commercial city, and the relationship among the members of the art circuit are issues addressed from an experiential perspective based on the testimonies of the protagonists of the period analyzed. From this perspective, the relevance of an approach that promotes dialogue and agreement among the parties involved is shaped with the aim of achieving greater and more effective cultural management that links all the art tendencies and at the same time helps to accelerate the cultural dynamics of Guayaquil, Ecuador’s main port.
Potenciación simbólica en propuesta visual contemporánea para la igualdad de género y el empoderamiento social de la mujer Shuar
(Universidad de Cuenca, 2024-03-11) Choco Leon, Luis Alberto; Novillo Mora, Angel Gustavo
In the current processes of international gender equality and women's empowerment, the ethnic and cultural groups that are less represented and with seats or pockets of resistance, may be the slowest to advance. In this context, we proposed to contribute to gender equality and social empowerment of Shuar women, through a deeply symbolic contemporary pictorial series, in the format of a triptych, as a contribution to a path in which we already recognize some progress in Ecuador. Our work guides the viewer through a symbolic journey that represents three moments of challenge and resilience faced by Shuar women. First the confrontation with ingrained gender stereotypes, unfavorable to the community. Then the struggle that represents resilience and the search for equity. Finally, the rebirth, which represents the notion of overcoming, triumph and happiness achieved through empowerment. The work was possible after an investigation in which the ethnographic experience of the artist himself prevails, who searched for and selected the tools aimed at understanding and treating the problem in acrylic on canvas. The resulting experience transcends mere artistic expression, seeking also to become an instrument of social change. It aims to contribute to update ways of thinking in tune with the social advances of the country, to promote solidarity with women and their dignity in the world of work.
Propuesta experimental de hibridación técnica basada en Joaquín Sorolla y Lucian Freud, como búsqueda de un lenguaje visual personal
(Universidad de Cuenca, 2025-03-06) Zúñiga Cambi, Hernán Francisco; Novillo Mora, Angel Gustavo
The present work explores, through research-creation, the development of a hybridization based on the techniques and styles of artists Joaquín Sorolla and Lucian Freud. It imphasizes specific characteristics of these references, such as luminism and a psychological approach, respectively. The final result is presented in the form of a triptych, allowing for a visual representation of this creative process. The resulting work stands out for its ability to draw from historical elements, which, combined with the artist-author's technique and perspective, yield new technical and methodological knowledge. This pictorial hybridization enables an understanding of Sorolla's fluid brushstrokes, contrasted with the expressive density of Freud's lines, creating a unique visual language through the fusion of these styles. It also contributes to the stylistic renewal of contemporary art, aiming to preserve and give new visibility to these artistic approaches.
Propuesta visual alegórica del barrio San José de Balzay, en Cuenca, para el fortalecimiento de la identidad cultural comunitaria
(Universidad de Cuenca, 2025-03-24) Morocho Gomez, Axel Mateo; Novillo Mora, Angel Gustavo
The objective of the present work is to create an allegorical proposal of the Barrio San José de Balzay, in Cuenca, for the strengthening of the community's cultural identity. As it goes deeper into the research, the autoethnographic is approached, but it also encapsulates the perspectives of the inhabitants of the community, through the ideo-thematic, morphological and expressive construction. In this way the mural becomes the possible medium that brings together memory, identity and affection.