Cine y Audiovisuales-Pregrado

Permanent URI for this collectionhttps://dspace-test.ucuenca.edu.ec/handle/123456789/164

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Browsing Cine y Audiovisuales-Pregrado by Author "Abad Vidal, Julio César"

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    La adaptación de un hecho real al guion cinematográfico en el cortometraje “Implicados”
    (2018-03) Narváez Calderón, Christian Esteban; Abad Vidal, Julio César
    The current investigation has as purpose to stablish the factors and procedures, that allows the screenwriter, through an objective analysis of the information, to develop an adaptation procedure from real events to the fiction screenplay, using as example the case of the short movie Implicados. This procedure can be used as a referent for writing the screenplay, create the characters, the settings and the actions.
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    Encajes: la importancia del silencio
    (2015) Albarracín Carmona, Christian Fernando; Abad Vidal, Julio César
    This project develops the approach, production and assembly of a suitable proposal for the sound of a short film, Lace, made by students of Film and Audiovisual Program at the University of Cuenca, in order to strengthen the visual narrative through the silences that defines the script and the depiction of characters. The work began with the investigation of silent films, their precursors and their transition to talkies, in order to conceptualize what is meant by sound, sound environment, and the role dialogue plays in the film. In addition, the short film script and the biographies of the only two characters are thoroughly studied, including both: their psychological aspects and their actions; all this, as a method of discovering relevant instances in which it was necessary to use silence as a narrative device that enriched the scene. Also, it emphasizes the contrast of these moments and how they build an implicit dialogue without using a spoken resource. The result of our work highlights the importance of silence, as the absence of verbal dialogue. This produced a sound design that works with silence, which is an essential part of the filmed work. Silence becomes a dramatic device in this work: contributes to the development of history and leads us to understand that the actions of the actors have their own language beyond words.
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    Manejo de la atención visual en una pantalla dividida del cortometraje stereo
    (2015) Cooper Pesántez, Harry Stephen; Abad Vidal, Julio César
    Clearly man is unable to keep his attention on two objects simultaneously. If he’d trying he’d ended with his view on one or none of the objects. From a photographic field when employing the use of the split screen, two frames in one screen. It is necessary and important to guide the viewer's attention from one side to the other at key moments of each frame. Thus, it is possible to send as much information as possible to the public. Since there is no extensive information about split screen. The guidance of visual attention in the split screen discusses photographic techniques used in films that are close to guiding the attention of the viewer. Consequently displaying nine specific techniques: the law of thirds, one-point perspective, selective focus and point to point, contrast or affinity of tones, the foreground, middle ground and background, types of camera shots, composition, downtime between frames and inter-frame action. Finally it’s talk about the results and how each technique was used or adapted en every of the short film Stereo, from the pre-production and the filming.