This paper reviews the literary productions of Dolores Veintimilla Carrión (1829-1857), situated in
the literary strategies of Romanticism; in the text, Dolores Veintimilla de Galindo. Literary
Productions (1908), compiled by Celiano Monge. And the lyrical calligraphies of María Ramona
Cordero y León, (Mary Corylé́) (1894-1976), located in the discursive strategies of
Postmodernism, in the corpus of Aguafuertes of (1954). A parallelistic study based on the notions
of legacy and transgression of patriarchal hegemony has been proposed; for this purpose, the
interpretative axes of hermeneutics and semiotics have been considered to characterize her
literary texts as a product of the exercise of feminine subjectivities, opposed to the patriarchal
order of their times.
