La memoria sensible y los dinamo-ritmos como herramientas expresivas en las artes escénicas: un análisis en la creación de la obra Por los filos

Abstract

This thesis aims to conduct an analysis and follow-up on the process that has been carried out in the creation of the movement sequences of the theater piece “Por los filos”. Therefore, it is fundamental to start from the analysis and investigation of concepts such as psychosis, the conception of the body, the definition of Borderline Personality Disorder and its relationship with the sensitivity of the actress and, of course, the use of Dynamo-rhythms and improvisation as agents of the composition process. Consequently, in this research, it is paramount to understand how creative tools and medical concepts have been involved in the creation process. Both the theoretical definitions and the bodily tools should be part of a type of methodology that consists of relating these elements with the sensitive part of a person who has experienced psychotic crisis (sensitive experience), in order to generate a sequence of movement.