Elaboración de un EP de dos arreglos musicales en ritmo cañari para un conjunto musical tradicional andino

Abstract

This Thesis project presents a comprehensive analysis of two traditional pieces from the cañari rhythm, with the purpose of applying musical arrangements within the framework of an EP production. The characteristic elements of the cañari chaspishka are explored in detail, addressing rhythmic, melodic, harmonic, and morphological elements. The first chapter analyzes the origin, function, and cultural environment of the chaspishka, describes its musical features and the typical instrumentation of the Cañari ensemble, and explains how the pieces were chosen and the arrangements developed. The second chapter explains why the two traditional melodies, "Piñarinkachu Imashi" and "Jubaleñita," were chosen and offers a technical analysis of each, including their melodic, harmonic, rhythmic, and morphological development. Finally, the arrangement strategies that transformed the pieces to sound in a contemporary ensemble are detailed. In chapter three, a technical analysis was conducted to support all the decisions made during the recording, editing, mixing, and mastering phases. To this end, the producer's involvement was considered during a guide through the creative process, ensuring that the aesthetic and sound of the EP reached a level of harmony, with each musical element integrated according to the chaspishka rhythm. Additionally, technical factors related to the use of digital tools and certain quality criteria were also covered, as the audio tracks were produced with the quality necessary to be disseminated and preserved in the catalog of sound cultural heritage.