Grabación de un EP con tres temas en género pop/rock alternativo con técnicas de Home Studio

Abstract

This thesis explores the impact of home studios on the recording and production of three pop/rock alternative tracks, highlighting how technological democratization has transformed the creation, recording, and distribution of music. It provides a detailed analysis of the processes involved in producing an EP, from equipment selection to mastering and distribution, demonstrating how home studio techniques can match professional quality and overcome traditional barriers. Through the analysis of the tracks “Auto Sin Control,” “Elévate,” and “Alma,” the recording methodologies and their impact on artistic quality are evaluated, drawing comparisons with professional standards. This project not only examines technical aspects but also the cultural and economic influence of home studios in the music industry, emphasizing their key role in developing emerging artists. Inspired by bands such as Foster the People, Cage the Elephant, Tame Impala, and Twenty One Pilots, the study adapts their techniques and concepts to the domestic production context, proving that professional-quality results are achievable in unconventional environments. The work underscores how home studios have revolutionized industry access, providing creative and economic opportunities that were once exclusive to large studios. This project thus positions itself as a contribution to the analysis of contemporary music production, reflecting its evolution and adaptability in an increasingly accessible landscape for independent artists.