Browsing by Author "Uyana Guasumba, Diego Lizardo"

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    El blues, una aproximación a su estructura musical, composición y nuevas tendencias; aplicadas en la creación de la obra para orquesta sinfónica caminante
    (2015) Chiriboga Tamayo, Luis Antonio; Uyana Guasumba, Diego Lizardo
    This work is based primarily on blues, whose vision is to provide an approach to this musical genre taking into account traditional and contemporary musical aspects. The work is divided in three sections: an approach from a historical point, the musical understanding of the genre, and the adaptation of new ideas previously investigated applied in an unprecedented symphonic work.
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    Composición coral a partir de un fragmento del poema "Rostro de Vos" Mario Benedetti
    (2012) Carrión Arévalo, Luis; Uyana Guasumba, Diego Lizardo
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    Composición y análisis de la obra musical El Rollo para orquesta sinfónica
    (Universidad de Cuenca. Facultad de Artes, 2012-11-11) Figueroa Solano, Marco Fernando; Uyana Guasumba, Diego Lizardo
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    Composición y análisis de la obra musical programática eclíptica; los sonidos de la bóveda celeste, para orquesta
    (2019-07-25) Rodríguez Maldonado, Raúl Eduardo; Uyana Guasumba, Diego Lizardo
    Music, since antiquity has been inspired by painting, literature, dance, sculpture and other arts, however, in this work is to unite the musical creation with a natural fact, as is the Ecliptic, line imaginary by which the sun orbits and the set of stars that form the zodiacal constellations. To do so, the sounds of the celestial vault are presented in a structured movement with twelve musical moments, each of which is the extraction of the sound spectrum of each zodiacal constellation that passes through the ecliptic line through the creation of a sound map constructed to From a celestial planisphere which serves as a conceptual object to give formal structure to the program by converting the graphic elements into sound. In this way an extramusical content is formed, imagined by the author and inserted into programmatic music, one of the most important contributions of Romanticism and that is also called descriptive music since it tries to represent situations, environments or events
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    Composición y análisis de la obra musical REQUIEM a los migrantes para solistas, orquesta sinfónica y coro mixto
    (Universidad de Cuenca. Facultad de Artes, 2010-11-11) Uyana Guasumba, Diego Lizardo; Peñaherrera Wilches, Jimena
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    Creación de tres obras instrumentales tomando como modelo creativo, el estilo denominado Salsa
    (Universidad de Cuenca, 2020-11-12) Nivicela Barreto, Jaime Gustavo; Uyana Guasumba, Diego Lizardo
    The style called Salsa has its own characteristics depending on its instrumentations, social environment, regions, exponents, performers and composers from different parts of the world. And according to these premises, three instrumental compositions were made with the aim of contributing to the expansion of information on the creative processes used within the Salsa.
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    Guía didáctica para la enseñanza de la flauta dulce, basada en la música popular ecuatoriana
    (2017) Aguilar Chalco, Edison Bladimiro; Uyana Guasumba, Diego Lizardo
    The present research work is intended to be a methodological tool in the teaching of the flute, focused on children of ten and eleven years of age in all music education centers, basically based on rhythms and repertoires of Popular Ecuadorian music. Through this work is intended to facilitate children's musical learning and even more using melodies that are present in the children's environment.
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    Seis miniaturas de Mesías Maiguashca: análisis de seis de las siete piezas para piano
    (2016-05-24) Uyana Guasumba, Diego Lizardo; Crespo González, Mercedes
    This master thesis was aimed to analyze six of the 7 Piano Pieces by Mesías Maiguashca. A literature-historical research was conducted that reveals the work of an avant-garde Ecuadorian composer from his beginnings as a pianist until his recent creative proposals, focusing mainly on music production made for piano. The work is devoted to the analysis of six of the 7 Piano Pieces but not without knowing the creative context, which is important because this gives us an approach to language in the instrumental music by Mesías Maiguashca; in this case: music without transformations, not even mixed with some other sound-musical element. This allowed for information on possible influences and materials used for the creation of a pedagogical work for solo piano. The study is based on the uniqueness of each one of the six pieces, in other words, strict parameters for analyzing the body of the work do not exist, but that each piece, given its originality, has been the subject of a particular study; of course, some aspects of the analysis are shared but the proposed methodology is different in each one of the pieces. To end, a video is provided where the composer explains and briefly describes these pieces for the piano through an interview where he outlines the manner of construction of the piece "Three Melodies"; these elements allowed information to be gathered about the rest of the pieces and helped solve analytical questions