Browsing by Author "Trownsell, Tamara Ann"

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    Arte contemporáneo desde el paralelismo entre los fractales y el arte de Tigua
    (2019-12-03) Rodas Méndez, Nelly Eugenia; Trownsell, Tamara Ann
    The present artistic research Project is substantiated through the study of the existing relationships between the artistic creation of Tigua painters and the fractals scientific theory, based on the analysis of repetition patterns at different scales happening in the nature, from a investigative area about the correlation of the present theory with the modern and contemporary artistic productions in order to condense such contributions in the developing and planning of an artistic proposal framed inside the guidelines of contemporary art and generate dialogues between scientific knowledge in accordance with ancestral knowledge, besides considering the theoretical contributions in the conceptual framework argumentation of the artistic proposal in order to achieve a reassessment of the contributions coming from the artistic activities in the Tigua community based on the valuation of nature, and link them to lines of action used by contemporary art inside a dynamic relationship with new artistic languages.
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    La obra precolombina de la cultura Palta desde la filosofía Andina: propuesta ‘estética’ de armonización dinámica
    (2016-07-15) Caraguay Córdova, Favio Daniel; Trownsell, Tamara Ann
    Focused on a re-orientation toward pre-Columbian art, this philosophical-symbolic-artistic study seeks to contribute with new ways of generating art through Andean sacred geometry present among the artistic productions of the first nations of the Abya Yala. This art form emphasizes the interrelation and interaction among all forms of life – both visible and energetic – and the search for dynamic equilibrium that heals and harmonizes existence in the Earth-cosmos, which together form the basis of this philosophy. In light of this situation, this project examines pre-Columbian works of art from the Palta culture through an Andean philosophical lens to understand the interrelation between the human being and all other beings through a conceptual framework based on Andean principles. These artifacts are also analized historically as well as through case studies focused on geometric and semiotic analysis of pre-Columbian Andean design. The foundations established in this study can foster artistic proposals that encourage harmonic compositions and a state of consciousness that allows us to materialize interrelation and dynamic harmony with the whole.