Browsing by Author "Toledo Guallpa, Mayra Alexandra"

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La pintura háptica para la inclusión de personas con discapacidad visual a través de las obras de Oswaldo Guayasamín
(Universidad de Cuenca, 2024-02-23) Toledo Guallpa, Mayra Alexandra; Herrera Rodríguez, José Ignacio
Based on education as a fundamental pillar for society, and a fundamental right for all. This work proposes resources and guidelines for the artistic interpretation of paintings, through haptic design and tactile stimulation, based on the human multisensory nature. The main purpose is to work on the practice and enjoyment of artistic activities in people with visual impairment, allowing them to develop in the most appropriate way their interpretative means, their imagination and perception, through tangible works that help them to build richer and more complete images of the world around them. Taking as a starting point the plastic arts and tactile stimulation, with experimental activities and using touch in a purposeful, intentional, active and voluntary way, enriching their conception of the environment, and sensitivity through the search for new plastic challenges. Likewise, this research involves the accessible work that the haptic modality has for the benefit of any person: with or without disability that allows working with multiplicity, with different learning styles and needs in order to build a more inclusive society aimed at developing the intellectual, affective and moral capacity of all people.
Memorias de la calle Rafael María Arizaga mediante ilustraciones del imaginario pasado de sus adultos mayores
(2013) Toledo Guallpa, Mayra Alexandra; Santos León, Ernesto Antonio
The results of this work titled: Memories of Maria Rafael Arízaga Street, through illustrations of old adults thoughts, makes a brief review of the history of the Rafael María Arízaga Street, obtained from the everyday look of the habitants. Through which the memory is considered as place of research like a historical document of a place. Memory and imagination exposes relationships that emerge between people and space affecting the property, identity and symbolism turning the space into a place full of social significance. At the same time, oral history and memories are mixed in the illustration as an important part of research and art. The illustration evidence the process of concept-image and then the product. In this case the illustrations for a calendar that the graphics are based on a process of planning, conceptualization and production. Art last the final proposal collects and highlights important aspects obtained through research and reaffirms the cultural values and identity of the street