Browsing by Author "González Orellana, Víctor Lenin"

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Elaboración de cinco arreglos de pasacalles ecuatorianos para cuarteto de guitarra clásica: montaje cameral
(2022-06-22) Calle Ordoñez, Wilson Andrés; González Orellana, Víctor Lenin
The present bachelor of titulation will presents the accomplishment of five adjustments of pasacalles elaborated originally for piano and voice, to quartet of guitar, these pasacalles selected are: "Ambato tierra de flores", "Chulla quiteño", "Chola cuencana", "Soy del Carchi" and "Guayaquileño, madera de guerrero", it should be noted that each of these parades is an emblem within their city since in their lyrics they exemplify the best of each city. At the same time, the historical context of each work will be discussed and its musical technical aspects will be discussed. In the end, it will be exemplified with an arrangement, all the musical techniques that were used to elaborate them.
Fundamentación teórico-metodológica para la producción de un sencillo musical, basado en el análisis del género pop actual
(Universidad de Cuenca, 2024-03-20) Parra Villalta, Alex Eduardo; González Orellana, Víctor Lenin
Independent music production has certain limitations when it comes to generating a quality musical product, this brings with it the need to create a theoretical-practical guide of the steps to follow to achieve quality results when making a musical production, save time and develop critical listening skills, setting an example through the pre, pro and post production (composition, arrangements, recording, editing, mixing and mastering) of a musical single. The methodologies proposed for the musical and technical analysis are linked to ideas and opinions of composers and producers of the time, as this helps to understand in a better way how the creative process is nowadays and the management of music production tools, providing a starting point for new generations of music producers, with an artistic and critical approach. By proposing a clear example as a result of the process, the objective of illustrating the application of the tools and techniques used by composers and music producers today in a pop music production is achieved
Grabación y producción de un proyecto en género jazz-fusión realizado en un home-studio
(Universidad de Cuenca. Facultad de Artes, 2025-10-16) Tenorio Sánchez, Christian Geovanny; González Orellana, Víctor Lenin
The purpose of this work is to carry out a musical production from a home-studio, in the jazz-fusion genre, for which the basic concepts of musical production, its elements and how, through the use of a team of Adequate basic hardware and software, a sound record can be obtained, which allows it to be manipulated for later mixing and mastering, for the development of said study it is intended to provide an adequate acoustic treatment in an unconventional space, but intended for the purpose of recording sound spectra in a more optimal and functional, added to the use of different microphone techniques, using microphones with the relevant polar patterns according to their corresponding function, for this we include three themes such as jazz fusion, which in part has a sound that goes from rock, jazz and academic music.
Producción musical de cuatro temas en género metal de la banda Tremor con aplicación de herramientas digitales en home studio
(Universidad de Cuenca, 2021-02-28) Vásquez Patiño, José Andrés; González Orellana, Víctor Lenin
The works carried out in the field of professional music production are mostly carried out with extensive and expensive equipment, both software and hardware. The object of study of this project sought to present the recording of four musical themes in the metal genre, using alternative digital techniques and resources. For this purpose, we worked on the basis of objectives such as research and selection of digital tools, approach to methodologies for the use of said resources in music recording and their use, as well as the editing of the recorded material, its preparation and optimization for a potential future post-production stage. The methodology and techniques that were applied include the bibliographic review of the background in the use of digital tools, the investigation of professional opinions of the same and their use in a basic and / or limited environment to make a high-quality musical recording. The results obtained from this project include a recognition of alternatives in digital tools for music production and their application to the production of record material in the metal genre. This project concludes the feasibility of using software in a musical production that preserves sound quality in the face of possible time and budget limitations.
Producción musical de un sencillo de pop rock
(Universidad de Cuenca, 2024-03-04) Ramón Urgilés, Carlos Daniel; González Orellana, Víctor Lenin
This research project focuses on carrying out an exhaustive analysis of the musical production of a song in the pop rock genre in order to apply it in an original production. Throughout this research, a thorough examination of each phase of the production process is carried out, from the initial conception of the song, that is, its composition, to achieving its materialization with competitive results in the music industry. The characteristic elements of pop rock as a musical genre are explored in detail, addressing aspects such as its distinctive instrumentation, rhythmic patterns and scales used. In addition, it delves into the technical analysis for decision making during the recording, editing, mixing and mastering phase, highlighting the crucial role of the producer in the creation of the final product. The purpose of this study is to provide a comprehensive view of the technical, stylistic and creative aspects involved in the musical production of a pop rock song, considering both a home studio environment and a professional studio. In addition, it seeks to offer a detailed vision of how these elements combine to shape a coherent and attractive musical work for a target audience. The results obtained from this study conclude that both the musical and technical analysis of the genre in question, the appropriate use of tools and techniques from both a home studio and a professional studio, together with adequate planning and efficient management of resources, allow us to obtain a competitive and quality musical product.
Producción y post-producción de un EP de tres canciones inéditas con repertorio pop-dance en español
(Universidad de Cuenca, 2023-02-20) Báez Téllez, Edgar Andrés; González Orellana, Víctor Lenin
In the last ten years, musical production has been transformed with the emergence of new generations of musicians. For independent artists, music production is synonymous with creating tracks, singing, moderately using a DAW or recording a musical instrument performance; but the role played by the music producer goes beyond the sound capture of a musical instrument. For this reason, the object of study of this project is to induce independent artists in what music production really encompasses through the production and post-production of an EP of three unpublished songs with a Pop-Dance repertoire in Spanish. The methodologies and techniques applied in this project include a bibliographic review of background information on the use of analog and digital equipment, as well as the opinions of professionals in the field within the processes of musical production. The results obtained in this project encourage the practice of music production processes with cheap tools and that some of them have become a standard within the music production industry. Finally, the present project concludes the viability that exists in musical production with the use of economic tools against the limitation of the economic factor and time.