Browsing by Author "Cabrera Quito, Boris Xavier"

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    Sistematización de experiencias prácticas artísticas en la comparsa del año 2016
    (2016) Cabrera Quito, Boris Xavier; Calle Bustos, Víctor Geovanny
    On 6 January is a date that traditionally in the city of Cuenca is celebrated the day of the Holy Innocents, although applicable according to the church calendar day of kings, this celebration has been developed to form part of their traditions instituting Masquerades as the city of Cuenca, a celebration that takes the form of a contest, with a system giving recognition awards in different categories. This paper documents the followed process throughout the development of sculptures, stage-choreography, costumes and musical troupes for the January 6, 2016 in which participated the Faculty of Arts of the University of Cuenca. Throughout this action intervened in different areas from the realization of ideas for the issue raised in various meetings of teachers and students to implementation and management within a work in inter-faculty and inter-faculty team work was based on together with the department of linkage and various associations of school. From these meetings the following was concluded: - The theme of the parade would be "Pumataqui" - It should develop a sculpture consisting of six individual units to give reason for the Andean characteristics related to the way the puma, as a symbol of strength and hierarchy Cañari-Inca people. Among the works is: the puma of monumental proportions with mechanical properties and the ability to sustain a person on his back; a condor 3.5 m high, a snake 14m. long maize of 3.2 m high, the Pachamama with 3.5 m high, added to this are the participants with different costumes according to large sculptures. -The costumes worked in collaboration with a student with experience in design and textile pattern. -To Increase the impact of the comparsa students of different races it would link offered by the University, so it was decided to open the system pre-professional practices and respective meetings with student representatives were conducted. As a final result the troupe "Pumataqui" developed normally with all the choreography and sculptural proposals, obtaining recognition first in the institutional category and additionally the "Golden Mask" given to the best part comparsa jury qualifier