Browsing by Author "Bueno Escobar, Julio Darío"

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    Acercamiento a los elementos compositivos y pianísticos del pasillo para piano Agur del compositor Henry Alvarez
    (Universidad de Cuenca, 2022-01-06) Alvarez Matute, Henry Emanuel; Bueno Escobar, Julio Darío
    The present document it´s about an approach to compositional structures, to establish musical elements that will serve in the understanding and pianistic interpretation of the work. By recognizing these elements, characteristics of Ecuadorian musical folklore can be identified, fused with styles, techniques and academic structures of the nationalist current. This work carries out a qualitative study, because the Agur pasillo is an observable fact designed to make specific points of view known in piano performance in various aspects such as compositional style, shape, texture, agogic, dynamics, etc. On which the recommendations that require a clear, clean and balanced acoustic production will be made. It is necessary to remember that there is no information regarding the academic Agur pasillo, because it belongs to the authority of Henry Alvarez, a composition completed approximately in the year 2017, so this work serves as a source that allows us to understand the musical conception of the work, the historical context on which it was based for its composition which addresses the style, form and compositional processes extracting the musical elements that are present in it.
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    Análisis comparativo de la Sonata para piano Op 57 N 23 “Appassionata” de Ludwig van Beethoven tomando como recursos el manuscrito original y las ediciones de: Schenker, Casella y Schnabel para generar una propuesta interpretativa.
    (2019-07-16) Rodríguez Sinchi, Esperanza del Pilar; Bueno Escobar, Julio Darío
    In the present work a comparative analysis of the Sonata Op 57 N 23 "Appassionata" by Ludwig van Beethoven will be made using the original manuscript of the work and three editions belonging to Heinrich Schenker, Alfredo Casella and Artur Schnabel, in order to make a editorial comparative study of various aspects such as tempo, agógica, articulation, dynamics, and use of the pedal; and make an interpretative proposal where the aspects that best suit the interpretation of the period, historical context and own pianistic technique are presented