Browsing by Author "Alvarado Granda, Pablo Olmedo"

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“Anomia - Desechables” Creación de una serie pictórica sobre problemas sociales que afectan al mercado El Arenal “Feria Libre” mediante un lenguaje visual contemporáneo
(2018) González Guanoquiza, Christian Xavier; Alvarado Granda, Pablo Olmedo
In the present project, the development of the ANOMIA was investigated, taking as a basis of study the "El Arenal" market (Feria Libre), which arises as an aesthetic necessity for the pictorial representation of the chaotic reality existing in this sector. Nowadays, the deplorable conditions that exist in this place, are born in the marginal parts, due to the carelessness, the disorder and the breach of the norms; originated in the moment in which the links weaken and society loses its strength to integrate and regulate individuals, generating social phenomena such as: alcoholism and delinquency, which lead to an interruption with respect to the psychologically and sociologically acceptable. The creative process arose from deductive research and the synthesis of bibliographic - documentary material. After this an inductive and ethnographic exploration was developed, making in situ visits to the market; inquiring into the personal stories and ways of life of the alienated individuals. Finally, in the pictorial work, it reflects the characteristic urban characters and scenarios, trying to return a face-to-face function to the painting, detaching itself from its photographic reference.
El apocalipsis, reflexión artística contemporánea
(1997) Novillo Mora, Gustavo; Alvarado Granda, Pablo Olmedo
El arte en Machala, hacia las rupturas. Mirada histórica crítica a las prácticas de los artistas visuales orenses que han expuesto en Machala desde 2000-2013
(2016-05-06) Paucar Encalada, Héctor Rogelio; Alvarado Granda, Pablo Olmedo
Abstract The dynamics of the artistic production of Machala has developed differently in the thematic and technical, this activity has been recorded in various writings and virtual media according to the current communication trend. In the search process carried information from the local press, catalogs, texts, and virtual albums in some cases the personal story of authors. This diversity of information storage and the absence of a structured study of the subject, make a clear picture of the situation of art in Machala, neither is possible to have a real perception of the condition of local artist against the national and international media. It is important to develop a historical study that allows us a critical compiled of a document, as a starting point for the study and coordination between local art and conceptualization to find its location on the philosophy of art. For the Research is based in different exhibition samples in the city of Machala, developed by El Oro artists during the years 2000 to 2013, which pretends to determine if there are authors that their works have integrated current trends in Philosophy of art if they contribute with conceptual changes regarding the esthetics or the way of understanding art; and the role of institutions in the process of change if there is any. This research work will have as variables: artist, work, institution and the market of art, to show them the significance of art; which will allow the understanding of the situation of the native artist in the national and international environment, at the same time this will explain the prevalence of a modernist concept in the exhibition of works of art of some native artists and its influence as well as which works of art and artists are referenced by the Contemporary Art. The present document does not propose to show only an artistic practice in situ, but a theoretical practice and build the critical history of art in Machala as a contribution to the disscusion in the future.
Barroco hoy
(1995) Mosquera Vallejo, Julio; Alvarado Granda, Pablo Olmedo
Cicatrices urbanas: experimentación sobre papel mediante las tipologías del grabado
(Universidad de Cuenca, 2023-03-19) Sinche Brito, Darío Xavier; Alvarado Granda, Pablo Olmedo
The research project is part of the review of buildings considered heritage in the city of Cuenca and that, for various reasons, today remain abandoned. We focus the research on the deterioration of these structures and that is why an artistic record is made to determine the recovery (or conservation) of its form. The fragment has a historical identity that has remained for a long time in abandonment and with this (symbols, figures, among others, scattered in the streets) we will develop an experimentation of the typologies of engraving that allow the recovery and perpetuation of this trace on paper. The buildings in the historic center have been a fundamental part of the city; with singular and paradigmatic characteristics, its facades have a great variety of art deco typologies, as well as ornaments with neo-colonial elements, which characterizes it from other cities in Ecuador. While preserving the original structure, over time certain fronts have not had the proper treatment for the conservation of the heritage, producing a generalized deterioration. A space in constant abandonment only creates holes in the urban landscape causing an unpleasant perception for the city dweller or tourist, this becomes a problem as well as environmental pollution, noise pollution, among others that persist within the city. The purpose of the research is to show the evidence of the deterioration of five heritage houses in the city of Cuenca through the technique of engraving.
Construcción de la imagen femenina para historieta, análisis conceptual, elementos estéticos y semióticos de historietas.
(2018-10-17) Alarcón Parra, Pepita Ivonn; Alvarado Granda, Pablo Olmedo
The present work exposes a study on the construction of the feminine image in the comic and the discourses that generates, through a retrospective and the stereotypes of feminine personages. In addition, a semiotic comparative analysis of comic strips with female characters was carried out by illustrators, culminating in the creation of the representation of women through the construction of a female character taking into account aesthetic, symbolic elements and the appropriate technique for the construction of the character.
Creación y producción de ilustraciones bordadas sobre tela desde el concepto de violencia de género
(Universidad de Cuenca, 2020-09-03) León Chuñir, Sandra Concepción; Alvarado Granda, Pablo Olmedo
This research project develops a proposal of Relational arte based on the concept of gender violence, bearing in mind that the purpose of relational art is to invite the spectator to reflect on a reality. The illustration proposals are based on the narrations and experiences of “UNA MUJER, UNA VIDA” of older adults in the process of therapy in “Associations” that offer help to women who have suffered some kind of violence. The final art consists of illustration on canvas that constitutes a synthesization of sketches-story, which contains personal experiences of the testimonies of women individually or communally, the chromatic chosen by them evokes feelings of violence the lived and in turn contains a symbolic interpretation of elements and concepts that define it.
Cuento ilustrativo como medio de interpretación y comprensión de la violencia sexual infantil
(Universidad de Cuenca, 2023-03-03) Rodríguez Sarmiento, Lizbeth Carolina; Alvarado Granda, Pablo Olmedo
Child sexual abuse is one of the most serious forms of violence against children and has devastating effects on children's lives, child sexual abuse involves the transgression of the child's intimate and personal limits. Based on this problem, the present degree work consists of the realization of an illustrative story, which is developed from digital sketches, to then be made with analog techniques such as acrylic. In this way, it will address the issue of child sexual abuse to prevent it. The proposal seeks to encourage timely help for this type of abuse.
El desarrollo de la creatividad en el adulto mayor mediante el dibujo en la serigrafía
(2016-10-24) Garcés Calva, Segundo William; Alvarado Granda, Pablo Olmedo
Older adults are people with experience and wisdom, they worked for the development of society, you can not think that throughout history have been moved to a sedentary life, for the only reason of getting older. Should be given a better lifestyle, keeping them active and worrying for them. And although in many countries the law of protection of the elderly, as in our country, it should enforce the benefit of this human group. Depression, isolation, loneliness, widowhood are the states that impair their lives. This project aims to develop creativity in helping the elderly to keep them active. With his fine skills make familiarity with the process. It is also relevant the application of this work to benefit them as contemplate national plan good living
El dibujo digital y su incidencia en el aura de una obra artística técnicamente reproductible
(2017-09-29) Llivicura Piedra, Jhonson Patricio; Alvarado Granda, Pablo Olmedo
Walter Benjamin is one of the most representative hermeneutics of events that marked major transformations in art arising from the commercialization and the gradual emergence of new information technologies and communication, setting off in the first instance, its hyper-reproducibility, and then democratization, overcrowding and secularization. These changes led the philosopher to question the present and the future of the Aura: the uniqueness, the unrepeatability, and the originality characteristic of a work of art. These concepts bring up the need to address, analyze and propose a current theoretical and practical approach that leverages the serial reproducibility of that work of technological art, so that the viewer transforms from a mere observer to a generator of unique artistic work, who will invest in that work a personal aura led by sensitivity and mood, and stripped of prejudices, biases, academicism and specialized discourse. The virtual-ness of the work is embodied and transformed into a physical work. In the practical part of the thesis, a proposal is presented for a participatory art since Benjamin considered the possibility of new forms of collective perception, and with them the expectation of politicization; that is to say, the democratization of art is the pillar on which the plastic proposal is built. The trilogy - participatory social art, technology and aesthetic discourses - will materialize and reinterpret the Benjaminian thought as a method to live different aesthetic experiences.
El muro como soporte narrativo la máscara como identidad del Ecuador
(Universidad de Cuenca, 2020-11-11) León Quizhpe, Paúl Andrés; Alvarado Granda, Pablo Olmedo
The present project of titulation is focused in the muralism and like thematic of the same the Mask like identity of the Ecuador. With this, the use and meaning of each of these pieces in the course of the history of our country and the current value that gives it is made known. The mural painting is the support or means by which a message, reflection and interpretation can be transmitted to all public without age restriction. Processes of anthropological research and analysis are necessary to monopolize the construction of sketches that group a colorful and lucid composition suitable for a public space in the city of Cuenca.
El Oráculo
(Universidad de Cuenca, 2023-07-03) Orellana Calle, Marcela Andrea; Alvarado Granda, Pablo Olmedo
The purpose of this work is to create a work that generates an emotional approach that through pictograms awakens memories and emotions that allow the viewer to reach a process of well-being in their daily lives. "The Oracle" includes a kit, a series of 23 screen printed cards with phrases in the form of affirmations and a log with playful exercises that indicate the different ways of using the deck, whose purpose is based on promoting interaction and creating an emotional connection that allow the person to relate their emotions with the artistic piece.
Los embarazos ´´Tapados´´ instalación
(1998) Coronel Muñoz, Pablo; Alvarado Granda, Pablo Olmedo
Los embarazos tapados: Instalación
(1998) Coronel Muñoz, Pablo; Alvarado Granda, Pablo Olmedo
En mi cuerpo
(Universidad de Cuenca, 2022-05-27) Vásconez Yungaicela, Anabel Nathaly; Alvarado Granda, Pablo Olmedo
This work is defined by pain and disability, which is reflected in a descriptive and conceptual way, a deep research has been done through an experience that approaches disability as a problem that seeks solutions with old medical methodologies, because medicine in Ecuador does not advance but clings to old methods that do not reveal greater results that leads us to take a stance of resignation, this proposal criticizes old methodologies that do not solve but martyrs, in addition to the processes of inclusion which do not they meet the requirements for a real reception. Orthosis, as known as hand of the executioner, fulfill a prosthetic job, instead of helping with functionality, it should be used to support and guide a posture or correction, but unfortunately it promotes a deficiency that will never get better. There are other methods that could bring dropped cases forward, they can be taken on time and not thrown away from the beginning, this project was born from my experience with my muse, my son with a great progress with more natural methodologies and awareness of what we can achieve, promote and create.
Espacio, expresión y simbología
(2000) Fajardo M., Jorge W.; Alvarado Granda, Pablo Olmedo
Estudio de técnicas artesanales, aplicadas a arte objeto; Ikat y pirotecnia Macana; luz y color
(2014) Criollo López, Jorge Mauricio; Alvarado Granda, Pablo Olmedo
This artisctic proyect is a result of the study of artisanal techniques applied to art. Ikat and pyrotechny "Macana, luz y color" is a job made for standing out and for recognizing techniques and artisanal knoewledge used in the plastic arts filed. Furthermore, the purpose is to show it in public places. The people will appreciate new forms of expressions trhought light (pyrotechny) such us sparkler and color lights. This combination was placed appropriatly so, when the fire starts the people will observe graphics that represent decorative images of textil. It is a contribution to the artistic field as an idea of new forms of expression within conteporary visual arts.
Fondos y/o formas femeninas de hoy
(1999) Coronel Galarza, Fanny; Alvarado Granda, Pablo Olmedo
La fotografía como recurso para la creación de obras pictóricas: la obra de arte discute el abuso de los animales
(2017) Criollo Castro, Víctor Alfonso; Alvarado Granda, Pablo Olmedo
The need to approach photography as a resource for creating art; this emerges as a need to represent a reality: the chaotic form of marketing and consumption of meat. The present work initiates the creative process from the photographic record in the specific places selected according to the theme. Through editing, painting and exhibition, a project that engages in the public-artistic-educational sphere, where the creator generates through the exhibition a space in which he transmits a message of conscience and citizen reflection.
Hipertexto: fin del arte para fin del milenio
(1995) Benavides S., Juan Francisco; Alvarado Granda, Pablo Olmedo