Browsing by Author "Aguilar Hermida, Wendy Elizabeth"

Now showing 1 - 3 of 3

Cómo afrontar el desarrollo y preproducción de un largometraje ecuatoriano? Diario de preproducción de Miradas, ópera prima de Andrés Cifuentes
(2016) Cifuentes De La Torre, Carlos Andrés; Aguilar Hermida, Wendy Elizabeth
This research focuses on the development and pre-production stages from the role of the director. The case of writer-director is explored as well as the essential dramaturgical theory to the construction of a feature film, because it is very likely that independent filmmakers who use and independent model like in Ecuador, choose that option. The main objectives are: understand what is expected of the director during these stages and what things should the new filmmaker expect to find to meet the challenge of a production manager in Ecuador. With all the information obtained in this investigation, the director has faced the stage of development and has projected the preproduction of the feature film Miradas. The experience is collected in detail as a diary.
Muerte súbita: la producción creativa como un rol fundamental
(2015) Mosquera Figueroa, Jimena Carolina; Aguilar Hermida, Wendy Elizabeth
The Latin American audiovisual landscape is relative to regarding the quality and quantity of productions that take place in each country. These depend exclusively on the evolution of the industry in each of them. However within the Ecuadorian context we can identify a key problem: Boom films that have found no viability in commercial cinemas or festivals of national and international cinema. Which shows many complications, which are consumed in the need for a key figure as the creative production. This is essential to be involve in the work from the beginning, the development of the idea, and the end of production. Creatively contributing from its area depending on the purpose of the film. Production with empirical notions and the recent professionalization in the field of cinema in the country, have made films that are constructed with a fuzzy concept of production. Because of confusion about the role of producer, different views are presented from the Latin American scene and specifically from Ecuador. Based on parameters and responsibilities to be met by the creative producer, the responsibility to the environment work, responsibility and accountability with the audience with the film. Finally the daily production project Sudden Death where each stage of the productions failures and successes regarding the creative output is identified within the projects analysis.
Mujeres taxistas de la ciudad de Cuenca: procesos de empoderamiento en un espacio laboral tradicionalmente dominado por el hombre
(Universidad de Cuenca, 2020-11-24) Aguilar Hermida, Wendy Elizabeth; Zaragocin Carvajal, Sofía
Female labor empowerment in a masculinized sector such as work in the taxi is the topic that this reseach addresses, based on an analysis from the theory of anthropology and feminist economics an maintaining as a backbone the realization of an entnographic audiovisual. This research work carries out an ethnography on women taxi drivers in Cuenca, is the first in Ecuador to address this type of theme, intended to contribute to the feminist discussion on labor empowerment and the vision of audiovisual anthropology as a method of investigation and creation