Artes Visuales

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“Anomia - Desechables” Creación de una serie pictórica sobre problemas sociales que afectan al mercado El Arenal “Feria Libre” mediante un lenguaje visual contemporáneo
(2018) González Guanoquiza, Christian Xavier; Alvarado Granda, Pablo Olmedo
In the present project, the development of the ANOMIA was investigated, taking as a basis of study the "El Arenal" market (Feria Libre), which arises as an aesthetic necessity for the pictorial representation of the chaotic reality existing in this sector. Nowadays, the deplorable conditions that exist in this place, are born in the marginal parts, due to the carelessness, the disorder and the breach of the norms; originated in the moment in which the links weaken and society loses its strength to integrate and regulate individuals, generating social phenomena such as: alcoholism and delinquency, which lead to an interruption with respect to the psychologically and sociologically acceptable. The creative process arose from deductive research and the synthesis of bibliographic - documentary material. After this an inductive and ethnographic exploration was developed, making in situ visits to the market; inquiring into the personal stories and ways of life of the alienated individuals. Finally, in the pictorial work, it reflects the characteristic urban characters and scenarios, trying to return a face-to-face function to the painting, detaching itself from its photographic reference.
Cicatrices urbanas: experimentación sobre papel mediante las tipologías del grabado
(Universidad de Cuenca, 2023-03-19) Sinche Brito, Darío Xavier; Alvarado Granda, Pablo Olmedo
The research project is part of the review of buildings considered heritage in the city of Cuenca and that, for various reasons, today remain abandoned. We focus the research on the deterioration of these structures and that is why an artistic record is made to determine the recovery (or conservation) of its form. The fragment has a historical identity that has remained for a long time in abandonment and with this (symbols, figures, among others, scattered in the streets) we will develop an experimentation of the typologies of engraving that allow the recovery and perpetuation of this trace on paper. The buildings in the historic center have been a fundamental part of the city; with singular and paradigmatic characteristics, its facades have a great variety of art deco typologies, as well as ornaments with neo-colonial elements, which characterizes it from other cities in Ecuador. While preserving the original structure, over time certain fronts have not had the proper treatment for the conservation of the heritage, producing a generalized deterioration. A space in constant abandonment only creates holes in the urban landscape causing an unpleasant perception for the city dweller or tourist, this becomes a problem as well as environmental pollution, noise pollution, among others that persist within the city. The purpose of the research is to show the evidence of the deterioration of five heritage houses in the city of Cuenca through the technique of engraving.
Creación y producción de ilustraciones bordadas sobre tela desde el concepto de violencia de género
(Universidad de Cuenca, 2020-09-03) León Chuñir, Sandra Concepción; Alvarado Granda, Pablo Olmedo
This research project develops a proposal of Relational arte based on the concept of gender violence, bearing in mind that the purpose of relational art is to invite the spectator to reflect on a reality. The illustration proposals are based on the narrations and experiences of “UNA MUJER, UNA VIDA” of older adults in the process of therapy in “Associations” that offer help to women who have suffered some kind of violence. The final art consists of illustration on canvas that constitutes a synthesization of sketches-story, which contains personal experiences of the testimonies of women individually or communally, the chromatic chosen by them evokes feelings of violence the lived and in turn contains a symbolic interpretation of elements and concepts that define it.
Cuento ilustrativo como medio de interpretación y comprensión de la violencia sexual infantil
(Universidad de Cuenca, 2023-03-03) Rodríguez Sarmiento, Lizbeth Carolina; Alvarado Granda, Pablo Olmedo
Child sexual abuse is one of the most serious forms of violence against children and has devastating effects on children's lives, child sexual abuse involves the transgression of the child's intimate and personal limits. Based on this problem, the present degree work consists of the realization of an illustrative story, which is developed from digital sketches, to then be made with analog techniques such as acrylic. In this way, it will address the issue of child sexual abuse to prevent it. The proposal seeks to encourage timely help for this type of abuse.
El muro como soporte narrativo la máscara como identidad del Ecuador
(Universidad de Cuenca, 2020-11-11) León Quizhpe, Paúl Andrés; Alvarado Granda, Pablo Olmedo
The present project of titulation is focused in the muralism and like thematic of the same the Mask like identity of the Ecuador. With this, the use and meaning of each of these pieces in the course of the history of our country and the current value that gives it is made known. The mural painting is the support or means by which a message, reflection and interpretation can be transmitted to all public without age restriction. Processes of anthropological research and analysis are necessary to monopolize the construction of sketches that group a colorful and lucid composition suitable for a public space in the city of Cuenca.
El Oráculo
(Universidad de Cuenca, 2023-07-03) Orellana Calle, Marcela Andrea; Alvarado Granda, Pablo Olmedo
The purpose of this work is to create a work that generates an emotional approach that through pictograms awakens memories and emotions that allow the viewer to reach a process of well-being in their daily lives. "The Oracle" includes a kit, a series of 23 screen printed cards with phrases in the form of affirmations and a log with playful exercises that indicate the different ways of using the deck, whose purpose is based on promoting interaction and creating an emotional connection that allow the person to relate their emotions with the artistic piece.
Los embarazos tapados: Instalación
(1998) Coronel Muñoz, Pablo; Alvarado Granda, Pablo Olmedo
En mi cuerpo
(Universidad de Cuenca, 2022-05-27) Vásconez Yungaicela, Anabel Nathaly; Alvarado Granda, Pablo Olmedo
This work is defined by pain and disability, which is reflected in a descriptive and conceptual way, a deep research has been done through an experience that approaches disability as a problem that seeks solutions with old medical methodologies, because medicine in Ecuador does not advance but clings to old methods that do not reveal greater results that leads us to take a stance of resignation, this proposal criticizes old methodologies that do not solve but martyrs, in addition to the processes of inclusion which do not they meet the requirements for a real reception. Orthosis, as known as hand of the executioner, fulfill a prosthetic job, instead of helping with functionality, it should be used to support and guide a posture or correction, but unfortunately it promotes a deficiency that will never get better. There are other methods that could bring dropped cases forward, they can be taken on time and not thrown away from the beginning, this project was born from my experience with my muse, my son with a great progress with more natural methodologies and awareness of what we can achieve, promote and create.
Estudio de técnicas artesanales, aplicadas a arte objeto; Ikat y pirotecnia Macana; luz y color
(2014) Criollo López, Jorge Mauricio; Alvarado Granda, Pablo Olmedo
This artisctic proyect is a result of the study of artisanal techniques applied to art. Ikat and pyrotechny "Macana, luz y color" is a job made for standing out and for recognizing techniques and artisanal knoewledge used in the plastic arts filed. Furthermore, the purpose is to show it in public places. The people will appreciate new forms of expressions trhought light (pyrotechny) such us sparkler and color lights. This combination was placed appropriatly so, when the fire starts the people will observe graphics that represent decorative images of textil. It is a contribution to the artistic field as an idea of new forms of expression within conteporary visual arts.
Fondos y/o formas femeninas de hoy
(1999) Coronel Galarza, Fanny; Alvarado Granda, Pablo Olmedo
La fotografía como recurso para la creación de obras pictóricas: la obra de arte discute el abuso de los animales
(2017) Criollo Castro, Víctor Alfonso; Alvarado Granda, Pablo Olmedo
The need to approach photography as a resource for creating art; this emerges as a need to represent a reality: the chaotic form of marketing and consumption of meat. The present work initiates the creative process from the photographic record in the specific places selected according to the theme. Through editing, painting and exhibition, a project that engages in the public-artistic-educational sphere, where the creator generates through the exhibition a space in which he transmits a message of conscience and citizen reflection.
Hipertexto: fin del arte para fin del milenio
(1995) Benavides S., Juan Francisco; Alvarado Granda, Pablo Olmedo
In-dependencia, libertad e igualdad en el contexto latinoamericano. Contraimagen y contrapoder visual
(Universidad de Cuenca, 2022-01-29) Cabrera Alvarado, Karina Elizabeth; Alvarado Granda, Pablo Olmedo
Throughout the history, the Latin American region has been the scene dispute between the great hegemonic power, both for its immeasurable natural wealth and, for the strategic importance in the achievement of political, economic and military interests. Thus, after numerous liberation struggles in search of autonomy, the post-independence subjugation remains in validity, limiting its possibilities for growth and development. Can we consider that Latin America is independent? This question intended to be discussed and represented throughout this degree work through the elaboration of contemporary artwork, where the material and the conceptual content are related to personal interpretation from historical events that reflect the lack of freedom of the region.
Interpretaciones actuales de las macanas a partir de sus diseños
(2013) Auquilla Arévalo, Edgar Patricio; Alvarado Granda, Pablo Olmedo
This project started as an inquiry to rescue the culture of the people regarding their craft practices , such as " Macana " ( in Quechua shawl ) that is one of the characteristic in dress clothes women's Austro yet despite the power they possess identity both technical and cloths are in danger of disappearing from disuse and the price , especially because technological development allows these shawls develop faster and synthetic materials forgetting its details and features own to make this a dress with designs , colors and unique shapes . The era of alarming climate change in which we live is the fundamental motivation to use newsprint feedstock , global warming , pollution, among others, do not be indifferent and present a proposal to not be part of the problem but the solution , which is why my work aims to give an idea solution to garbage problem . To this end it has been possible to obtain handmade paper yarn , easy to handle for the realization of an object similar to the Macana , representing his technique and iconography , ie features, made a representation of hybrid objects brought from the past to the contemporary
Invisible”: instalación escultórica; análisis de espacios y roles que ocupan los indigentes en la sociedad actual
(2019-12-03) Baculima Méndez, Ismael Josué; Alvarado Granda, Pablo Olmedo
Abstract: Contemporary art in its multiple expressions gives us the ability to perceive in an alternative, different way, problems of all kinds, prompting the viewer to perceive sensations beyond what is established in a society, so in the present academic, creative process and research is intended to make visible in a real and sensible way a tangible social problem in the different cities of the world, which today is blinded by the detachment of a society aimed at materialism and consumerism that moves people away from the realities that You live in a society.Thus, this investigative process was raised on the issue of homelessness, which is becoming a social problem in the city of Cuenca, with a large index of people in marginal situations. It is then that we proceed to generate a work that goes hand in hand with the investigation of the proposed theme, thus a series of visions were generated in terms of construction, shape, space, materials that visualize this problem in a different way. Leaving this way to a final result that led to the sculpture that the human figure bears as a visual representation, which was accentuated in unconventional spaces, occupied by people in marginal situations. Different construction materials have been chosen, which are candles, candles of some churches in the city, as well as the newspaper, cardboard, recycled metal, all these closely linked to the research process and the subject as such.
La dismorfia corporal desde una propuesta artística visual encaminada al logro estético de lo sublime
(Universidad de Cuenca, 2023-02-05) Durán González, Karla Esperanza; Alvarado Granda, Pablo Olmedo
This project seeks to generate the interrelationship between work and spectator, from the Body Dysmorphic Disorder (BDD) represented under a sublime aesthetic, thus, the work focuses on the subjective perception that connects the ideologies of beauty and ugliness. Eco (2004) is interested in the transformation and relationship of the concepts of beauty, so the work alludes to the transformation and relationship of the concepts of beauty and ugliness within aesthetics over time, without neglecting the different perceptions to which these ideologies are subject. With the purpose of expanding the work, entering the viewer, questions are raised such as: what happens with what does not imitate beauty, where is everything that does not comply with symmetry and proportion, what is ugly cannot be sublime?
La inmaterialidad del objeto: El empleo del recurso de la memoria a través de una muestra artística
(Universidad de Cuenca, 2022-01-24) Luna Peralta, Tania Andrea; Alvarado Granda, Pablo Olmedo
The main theme of this title work is to show the memory container object as an artistic device to generate reflections among its owners, the author or artist and the new audiences with the aim of taking them to moments that cannot be relived but always will remain in the memory, approached from the artistic perspective, thanks to an anthropological investigation carried out in various places between the Sierra and Oriente regions of the country.
La luz restauradora
(2016) Alcívar Soriano, Aníbal Alain; Alvarado Granda, Pablo Olmedo
Cince the origins of the universe and all that is known, light has been a key element in our humanity. For scientists, it is synonymous with energy, which creates, transforms and restores matter. The present work, rescues this element, and through scientific sustenance, it can be said that thanks to enlightenment positive changes are generated, even from a spiritual approach, is that "light" can heal. Thanks to art and plastic activity, a message can be projected to a social medium, which is intended to provide a mobilizing feeling that reaches the viewer as a message of hope, which serves to restore what is convenient in life. Beyond the values, beliefs and dogmas of a society, light generates clarity, knowledge, even being able to associate it with the divinity. "The Restorative Light" is expressed and sustained by means of a photographic record. Likewise, the development behind this representation was planned with the elaboration of an object of traits, identical to a window with symbolism that I will detail later. Illuminated and placed on a wall of a house in ruins, dark ... "Machiavellian", adds to the expressive meaning of the work its unique position, which is no other but the one that attributes a concept of remission and spiritual freedom, an illuminated place.
Manual de serigrafía
(1998) Garcés Calva, Segundo William; Alvarado Granda, Pablo Olmedo
Parábola del Progreso: disociaciones y derivas del individuo y el espacio o el ilusorio resplandor de la realidad
(2019-02-01) Muñoz Lasso, Israel Francisco; Alvarado Granda, Pablo Olmedo
The conformation of an artwork in the public space responds to a complex structure that acts in the time and in the space of the context, and of the spectator in order to produce a multiple displacement. This displacement, rupture or interference of reality would be the aim of contemporary practices whose languages have dissolved into a bewildering variety of possibilities in order to remain vital in an increasingly restricted and controversial space. The symbolic, social, and political exchanges arising from this activity are what give the work its vital time, a real, disruptive time that develops in conjunction with the daily life's time, its audiences and its socio-political structures.

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Browsing Artes Visuales by Author "Alvarado Granda, Pablo Olmedo"