Influencia de tres recursos literarios del poema. Boletín y elegía de las mitas” de César Dávila A. en la creación coreográfica anti narrativa sobre el mismo

Abstract

This Choreographic work is about the poem “Boletín y Elegía de lasMitas” of Cuencano writer César Dávila Andrade, this is a poem that has transcended Ecuadorian literature for its fascinating use of words and the topic of the Spanish conquest to Ecuador. This literary work contains some expressive elements in their syntactic structures of which will work in this dance work more with literary devices: alliteration, onomatopoeia and acoustic metaphors, where the linguistic sign of the literary piece is set. The literary resources provide the poem by a sound that contains a subtext of the main ideas: pain, protest and identity; and from these literary figures start the search process of body movement, allowing the body is affected by sound vibrations poetic text, so that the dancer is able to assimilate these sounds, and translate into images, sensations and movement. In the scenic work, is considered the methodology of Merce Cunningham about chaos and chance, and the technique of improvisation, with the objective of avoid a caricatural and linear narrative construction of the poem, a mechanized interpretation, what is sought is an appropriation poem by dancers, genuine interpretive actions found by themselves, and above all a search of movement guided by the sound and content of the literary piece. The choreographic composition is influenced by the current aesthetics of minimalism, with the motive of demonstrating not needing an extensive and complex composition of movements and scenic resources in general, to convey the expressive force and spirituality of the verses of Davila, is more interesting to those small details that resonate in the body and develop a space - temporal dimension