Análisis narrativo, psicológico e hipertextual de la novela: Acosos textual de Raúl Vallejo

Abstract

The Textual Harassment novel of Raul Vallejo produced in 1999, with the purpose of increase awareness to the cybernaut changes his virtual word in a real Cosmo and rescues the word value in the net, is constituted through the epistolary, psychological and inter-textual central idea that join harmoniously since the beginning of the story to underline the authenticity of Vallejo’s narrative style.

The investigation shows the epistles are therapeutical- chimerical centers because are built in the net by ghosts that place their trauma and thoughts. Those interlocutors are alike person of real people that have taken refuge in the virtual world to avoid daily. Besides, it was possible to identify that every ghosts becomes androgyny as his language due to the urgent necessity to extend his possibilities to create illusory relations.

Vallejo’s novel contains voices of pieces of work such as <A man who died by kicks> of Pablo Palacio, <Guaraguao> of Joaquin Gallegos Lara, “The Stretchers”, references and citations, that act as inter-texts, creating a great number of inter-textual relations that led the reader travel through tales and clue stories of literature, amplifying its literary ways.

Textual Harassment is a hypertext full of generating epistles of alike people, and androgynous ghosts that change virtual letters to a phantasmagorical world full of false words that cause the madness of the personages, carrying them to think in the technological suicide, and feeling lost between voices of themselves. (Yos-esquizoides)