Propuesta interpretativa del “Concierto Ruso para Marimba y Orquesta” de Sergei Golovko a través de su análisis musical formal

Abstract

The objective of this present work is to develop an interpretative proposal with technical and interpretative recommendations applied to the three movements work entitled The Russian Marimba Concerto for marimba and orchestra by Ukrainian composer Sergei Golovko. The author approaches the work through the historical context and the biography of the composer. A formal musical analysis of the three movements of the concerto is presented, following certain parameters of the method Curso de Formas Musicales by Joaquín Zamacois. Finally, the interpretative proposal is presented, which includes technique exercises developed by area specialist as Leigh Howard Stevens and Nancy Zeltsman, focused to difficulties present in specific passages of the concerto.