Análisis del proceso de creación de una partitura corporal desarrollada desde la autoetnografía para la escena del desnudo del performance “Nø opines”

Abstract

The present degree project addresses the process of creating a body score developed from autoethnography for the nude scene of the performance "No Opines"; to do so in a comprehensible and well-founded manner, concepts such as autoethnography from the perspective of Sam Fernandez and Elisa Alegre, body perception and body archive from the thinking of philosopher Merleau Ponty have been investigated. On the other hand, to address the concept of vulnerability of the body, we speak from the representation of a canonical body in the perception of author Maria Jesus Abad, body memory in the text "The Wounded Body" from the perception of David Le Breton, "Emotional Memory" from the perspective of author Konstantin Stanislavski, fragility of the body from the creation processes of Frida Kahlo, the concept of "Performance" from authors Luis Cortés, María Victoria Polanco, María Elena Retamal, Karina Guerra and Sebastián Farfán, as well as the concept of body score proposed by Diego Fernando Murillo. Starting from autoethnography where the conflict and confrontation of the author with nudity were extracted from milestones of my journal where exercises were carried out as work in front of the mirror, with objects and materials as well as writing. It also explores the use of emotional memory proposed by Stanislavski for the construction of body scores that culminated in the staging of the work.