Construcción de la obra dancística ‘En mil partes’ desde el concepto de disociación manifestado en el trabajo corporal y la composición coreográfica

Abstract

The present research proposes to analyze the construction of dance work ‘En mil partes’’ from the concept of dissociation manifested in the body of work to arrive to a choreographic composition. Within this process, we search to carry out a systematization and analysis of the construction of a choreography in relation to the approaches to the concept of dissociation both from a broader definition and in the psychological field of dance. This work also allows us to reflect on the fusion of two different disciplines: Belly Dance and Contemporary Dance.