Investigación creación auto etnográfica para la creación de una secuencia de movimientos en la obra escénica Retazos Cosidos

Abstract

The present work is the result of the approach of a research process autoethnographic creation for the creation of a sequence of movements in the stage work Retazos Cosidos, which arose around the theme of mourning, which in the subject "Research of the Creative Process focused on Execution I and II" was the creative trigger and that little by little was developed in an increasingly complex way. During the process, this method of work was used, because it would allow me to collect sensitive information and generate multiple materiality’s from my own life experience, relate them to the cultural context in which I develop, process them through other tools and scenic techniques such as emotional memory, to finally narrate fragments of my own life before the spectators. Emotive memory, a concept proposed by Stanislavsky for the creation of characters, was one of the essential tools that were reconfigured, within the framework of the autoethnographic process, for the creation of sequences of movements, which is why it is developed as one of the relevant subthemes within this work. In the first part of this document, some theoretical references that I consider valuable for the development of this work will be presented; Next, the exercise of systematization of the creative process will be developed, which is based on the logbook, from which exercises, procedures and other materials that contributed to the achievement of this work have been extracted.