La tridimensionalidad como herramienta creativa y experimental: aplicación, análisis y relectura a partir del ejercicio escénico DiaRios de Saliva

Abstract

The present study seeks to reveal how the principle of three-dimensionality proposed by Lucas Condró in the research of dance-improvisation Asymmetrical-Motion, becomes a tool for obtaining sensitive, creative and experimental material within the process of creating the stage exercise DiaRios de Saliva. In this case, three-dimensionality has been influenced by the context and the look, that is, by how this tool has been manipulated, the relationship of this with others, and the conjunctual events that are deposited in the body. It could be a new reading of the three-dimensionality, based on the process of creating the stage exercise, allowing to observe how paradigms change in Dance. This incorporates the consciousness and thought of the various bodies and criticizes the hegemonic domination that establishes stereotypes and fixed ideas on them. The analysis will be complemented by the review of exercises that address the principle of three-dimensionality from other lines of body work to rethink its meaning in its relationship with what surrounds us.