Las historias afectivas de las mujeres de mi familia para la construcción de una dramaturgia corporal con las herramientas de la Ideokinesis según Nereyda Rey y el Pensamiento corpóreo según Wayner Macgregor

Abstract

This degree work articulates the use of Ideokinesis according to Nereyda Rey and the Corporal Thought proposed by Wayne Mcgregor, for the construction of a body dramaturgy evidenced in an exercise of scenic-choreographic creation. These body research tools link files of different types on the affective stories of the women in my family, images, interviews, which have been used to generate choreographic materials and propose a body dramaturgy in a staging, with an expanded character. The scenery and sound were built based on these family archives, as well as the general intention of the work and the moments and stories of these women, placed on the body. Thus, this research seeks to generate a choreographic composition based on the inputs provided by family archives that the body of the performer-creator organizes in a creative practice, together with the other scenic elements, to produce the fabric of a scenic creation, composed of symbols in space, the body, sounds; seeking to contact the sensations of the spectators.This stage composition seeks to appeal to a narrative specific to the process, independent of a previously written text or a definition of the materials, which assumes a dramaturgical perspective from the body and its insertion in the stage elements, to produce a dramaturgical fabric that responds to the translation. subjective of the interpreter of the materials studied and the techniques used, in the search for a particular meaning and a narrative corresponding to said process.