El uso de la repetición según la entiende Anne T. de Keersmaeker y el concepto de leitmotiv de Richard Wagner, como herramientas para la creación de una dramaturgia coreográfica y sonora

Abstract

The repetition conceived by Anne Teresa de Kearsmaker and Richard Wagner, is the starting point of this research process, which proposes the creation of a sound dramaturgy, in order to relate it to the body (action), thus allowing to compose a movement/dance, which enhanced by the sonority as an element create a properly articulated product, so that it exposes a clear discourse that manages to affect the viewer. By means of Wagner's Leitmotiv and the compilation of daily sonorities, it is possible to build soundscapes as Murray Schafer exposes, in order to enhance the total dramaturgy of the work, combining these sonorities with the different actions/movement within the scene, enhancing them and making them take a sense according to what is heard on stage. The body intervenes first hand, exposing the discourse proposed by the work, creating a reciprocal exchange of information with the sound dramaturgy, managing to advance to a more general space in which the creative process uses repetition, but does not conclude in this, but on the contrary takes it as an element that enhances the work as a whole.