Una apropiación artística del animal muerto en su silenciosa vida espiritual

Abstract

The present investigation refers to transiting an artistic appropriation of the dead animal in its silent spiritual life for the analysis, visibility and resolution that has deconstructed the aesthetic transformations expressed in cultural activities, with a critical and political perspective, by affirming a symbolic image. to the effect of impartial and spiritual thought for sensitive, emotional, and intellectual appreciation. As a research-creation method, this project deals with a continuous process of artistic experimentation of symbolic objects that give off creative, affective, and collective processes; likewise, the multispecies ethnographic journey focuses on transdisciplinary development that enhances artistic training and the theoretical elaboration of institutions. The product deals with the construction of an installation work that demonstrates the process of this social phenomenon in the artistic field and even complementary to critical thinking, which addresses the knowledge of the passerby during the manufacturing process. The use of the bodies of dead animals that were found, transmuted, and modeled into symbolic objects deconstruct their presence and become protagonists of their representation and presentation through the public space. As a conclusion, the symbolic, aesthetic, inquiry, improvisation, construction, essay, reflection, and discrimination that the artistic process has revealed in this problem of dead animals is evident; explores the knowledge that occurs the causes of dehumanization and that the sociological data that operate in the relationship with the otherness of the spiritual thought of people who transit in public spaces.