Realización, exhibición y reflexión teórica del cortometraje Flores, habitaciones y desapariciones

Abstract

The non-fiction short film project Flowers, Rooms and Disappearances has two components: the pre-production folder and the individual essays by area. Areas related to the production, assembly and direction of photography that correspond to the work of the aforementioned essay: in the production area, work was carried out with the minimum and essential resources to achieve a low-budget production that does not affect the quality of the short film. In the editing area, an approach was made towards a system of expressive articulation of the material, taking into account post-production techniques as discursive tools. The photography direction area, regarding the composition, sought to create atmospheres for the short film. In the production area, necessary strategies were applied to optimize material and financial resources for the production of the short film, likewise, in the assembly area, it was possible to synthesize the knowledge that served as a guide to structure the assembly as stated in the scheme. Lastly, in the area of photography direction, the use of atmospheres with respect to the composition of a space was managed. The operationalization of the proposal with respect to editing, photography, production, sound and direction, is a modest contribution of this work