Estudio de un objeto en constante migración de Ana Alvarado bajo el empleo de la melcocha

Abstract

The present investigation was directed to the study of an object in constant migration under the approach of Ana Alvarado, being a practical theoretical study, based on the use of the marshmallow as an object and center of the staging, for this an investigation has been carried out of the worldview proposed by Ana Alvarado, who presents the migration of the meaning of objects within the object theater, this principle starts from the idea that any object on the stage can start from a conceptualization or utility but this can acquire others in the As the context and the direction given in the scene change its meaning, so the marshmallow may originally be a traditional sweet, but in the play it can become a snake that interacts face to face with the actor. It should be noted that the interaction of the object on stage is the product of the manipulation that the actor produces, using it to tell the story, however, the object can also exert manipulation on the actor, by influencing their decisions, positions or postures, for what exists a two-way relationship between them and mutual influence. The empirical part of the research was carried out with the development of a video-recorded exercise, in which interpretive sequences were performed where the migration of the object's sense was visualized, from its ductility, change of physical state and the manipulated-manipulative action between the marshmallow that after going through the modeling process in the hands of the actor, turns into a snake that interacts with him.