Ejercicio escénico elaborado a partir de los fundamentos esenciales de la práctica de Contact Improvisation (CI), y el método de Composición en Tiempo Real (CTR) de Joao Fiadeiro

Abstract

Understanding that the performing arts reactively affect contemporary movements, academic research establishes exploration frameworks that challenge theoretical and practical knowledge in creative processes. The purpose of this research lies both in examining and enabling instances of sense creation within the scene, through the dialogue between Contact Improvisation and Real-Time Composition, and in formulating a dramaturgy that can reconstitute itself, simultaneously at the same time. in which it is presented to an audience. The assertiveness and efficiency of this autonomy, in the present tense, are the main statement to verify the extent to which the planning and development of this resulted in favorable results; which were the main drawbacks and, how and which could be solved. In accordance with this, the following article reveals the experiences of a creative process that was raised since the preparation of the training and laboratory, going through the stage of raising material for the choreographic composition, and finally, the functions to the public and the final reflections . This creative experience demonstrates one of several paths and decisions taken in search of how to promote approaches to a live dramaturgy on stage, based on mechanisms of improvisation and creation, produced in the present tense, and in reference to the current context of local scenic practice.