El modelo pedagógico desarrollador cubano y la experiencia del ciclo conferencia-seminario-clase práctica en historia del arte

Abstract

From the summary of a base text, originally extensive and of an autoethnographic nature, the Cuban pedagogical model is characterized and described, as a result of individual and flexible responses to a context with specificities within Latin America; and the implementation of the conference-seminar-practical class cycle in the discipline of Art History is witnessed, from its potential developer, as a result of its openness to all learning theory and didactic strategy, implemented jointly.