La construcción del trabajo escénico a partir de improvisaciones sobre principios de antropología teatral

Abstract

This work is a synthesis of research that was carried out with the support of the Barojo Artistic Collective. The thesis seeks to highlight the model with which the actor-interpre ter staged the play “Carlitos de la Bicicleta”, one of the popular characters of the city of Cuenca. Among other aspects, this research shows how the actor and the director weave a network in which the character sustains himself during the scenic narrative: his structure, his gesture, his gaze, his breathing, his thoughts and his life model, all form part of this network. We highlight the social reality in which the story of this character is developed, through text, sounds, and emotions that will be told by themselves in the dramaturgy. Without leaving aside the theoretical and practical research process that had to be imple mented to create this play.