Producción artística y fundamentación teórico-metodológica desde la ciencia computacional

Abstract

The present thesis project consists of an investigation in artistic production with new media. It focuses on the use of data visualization as aesthetic and conceptual discourse. In the first stage, the relationship between art and computational science and the cultural and social manifestations that emerge from this relationship are explored. Subsequently, the paradigms and discourses that derive from digital art are explored, taking the New Aesthetics as a point of reference. The third chapter describes a research-creation methodology based on the use of software art as a creative strategy and the plotter painting as a strategy of pictorial concretion. Finally, artistic production is presented, the object of this research, accompanied by a reflection and analysis of the results.