Ética y estética en el teatro de Antonin Artaud como superación del academicismo moderno, desde la perspectiva de Gilles Deleuze

Abstract

This research analyzes some of the considerations about Antonin Artaud's Theater of Cruelty seen from philosophy. To do this, the lines that underlie the theater were rebuilt, which began as a critic on Eurocentric culture, which in its proposal leaves free polysemic categories that underpin its line of thinking such as: body without organs, cultural disease, genitality etc. The analysis is done by the hand of the philosopher post-structuralist Gilles Deleuze, his nomadic approach accounts for the philosophical disciplines such as ethics and aesthetics that serve as a template to figure Artaudian theory, his thinking is detailed with respect to the theater from several edges such as: the resistance act, escape, machine and assembly, as well as direct reference to the theater. Then, the implication process contrasts the two parts to arrive at the ethical and aesthetic considerations in the mentioned theater. For this, the research finding proposes an alternative in the field of contemporary art, the processes move away from the academy and aesthetic judgment to become producers of human sensibility by taking the body and its assemblies [connection] processes as contributor of a new disorganized feeling. The research is carried out through hermeneutical positions that materializes in the philosophy of art, without establishing new paradigms that takes for granted an absolute truth.