La construcción de un entrenamiento del actor pre expresivo, mediante el principio de Descomposición de la forma de Tadeusz Kantor

Abstract

The thesis analyzes the actor's body and its pre-expressiveness in the construction of an acting training, starting from the principle of decomposition of the form, exposed by Tadeusz Kantor in his Manifesto of the Zero Theater. To achieve a physical and psychological state of the actor in the staging. During the Direction and Scenography Chairs, taught in the Dance - Theater of the University of Cuenca, multiple forms of evocation were explored in the actors, hence the personal need to stage a type of actor far from representation traditionalist and position it in a more real action, close to an actant, who triggers or responds in a truer way to the different external stimuli that occur in the scene. For what has been proposed to generate a sample where you can implement such training and show on stage a more real actor, real, credible in their actions and scenic response, which is compiled in the work that has been called Condition Under Zero, the same that gathers the principles of composition proposed by T. Kantor as a way to: the real