Morfología de los elementos figurativos de la estética Puruhá para su aplicación en el diseño textil

Abstract

As a starting point we will review the theory of the cultural identity and collective memory to know a little more about the culture and their milestones over time. Also, it will address the aesthetic through art and his visual language, with this what you want to achieve is a broader approach in terms of the visuality of the figurative elements. To speak of the andean Cosmovision, it is necessary to know about the symbols and forms used by the cultures, so that we can analyze the bands as the subject of study. As part of the investigation, you are going to treat the aesthetic conception of culture in general, and soon after take to the culture Puruhá to investigate their settlements, identity, integration period, location, and dress, then analyze the bands of the Grips by using tabs iconographic and morphological. The methodology to be used is the methodology of projecting, accompanied by the methodology ethnographic. The methodology of projecting, in the first instance to collect data and information about the Culture in study and historical testimony of Jacinto Jijón y Caamaño. On the other hand, the study of the morphology of the girdles from different sources; the bands of these sources were chosen in function of the components, geometrical the same that better reflect the system of composition, and style of morphological, present from the andean cosmovision