Transformación corporal a partir del análisis de la noción de cuerpo cinestésico, dentro de la etapa de trabajo de mesa de un texto teatral. Estudio del caso Espectros, obra adaptada por Teatro Brujo

Abstract

This research project aims to reflect on a process of creation based on the adaptation of a classic theatrical text and how this reflection affects the body and transforms it. Taking into account the diversity of the starting points for the creation-interpretation and/or composition of various products or stage exercises, we focus directly on the methodology of the first part of the table work from a theatrical text by the actress in terms of creation, composition and interpretation. Hoping to systematize the work previously done within the play ESPECTROS, adapted from Teatro Brujo, 2017, Cuenca. After the approach on the body and the elements that we seek to rethink: perception, corporality and the idea of the world; they allow us to disarticulate a static conception on the body, in an organic way, to kindly reconstruct it within the current context. As references for this perspective on the body are: Mariana del Mármol, Mariana Sáenz, then for our cinesthetic body we turn to Asier Pérez and his focus around Maurice Merleau-Ponty. This reconstruction is related to the appropriation and awareness of the creative memory and the kinesthetic body. The methodology we chose for this research project is done qualitatively. Outside we think that the body, the text and inside we want to identify the different reflections that encompass and detonate these elements within a process of creation in the performing arts