El dibujo que habla: presentación gráfica de la obra de Honorato Carvallo 3 casos de estudio

Abstract

The freehand drawing is revalued through the interpretation and analysis of the same in three projects of the architectural work of Honorato Carvallo Cordero, who personalized his work and contributed to the character of Cuenca architecture.

Through a critical look, the drawings of the collected information are confronted with the final proposal of the project: original drawings of “squiggles”, sketches and photographs of the time, in order to clarify the non-visual process of the built work.

Finally, the unique processes of germination and concretion of the ideas in each case are identified and described. The graphic expression implicit in the drawings reveals the intrinsic qualities of the project phases. In addition, this study of the sketches of Carvallo allows the recognition of fundamental decisions, approaches and reveals his graphic thinking to project, his architectural solutions mainly with the intervention of three elements: hand, mind and paper.