Los lenguajes artísticos combinados como herramienta metodológica compositiva durante un proceso de creación que involucra a la danza y a la escultura en la escena. Sala de espera una propuesta artística

Abstract

The present thesis consists of a study about the Combined Artistic Languages as a compositional methodological tool, during a creation process that involves dance, sculpture and music on the performance. It contains a reflective study about the definition, the antecedents, the characteristics and the conditions of production during the combined language. Also, it analyzes the creation processes and shared production of worldwide referents, based on four basic characteristics of this kind of methodology, which are: limits, hybridity, ideology and technology. It also contains the analysis and review of the entire creation process called Sala de espera, in which this kind of compositional and methodological tendency was applied, through a refletion about the different moments during the creation, as they are curiosity, dialogue, hybridity, and all of the procedures applied, like permeability and transferences between artistic languages, the differential presences manifested in the performance and the partial connections between all of its moments during the creation process. Finally, it contains all of the conclusions and syntheses thrown either from the process of research and theoretical reflection, as of the practical experience of the creation process.