Combinación de métodos de trabajo escénico como medio de creación de una metodología como creadora-intérprete para la construcción de un personaje y posteriormente de escenas

Abstract

In this work we have used primarily acquired skills and knowledge imparted in the career of Performing Arts at the University of Cuenca. In this way we seek to create a character from several notions and references of Theatrical Naturalism with the aim of achieving an organicity of the character on stage. That is why we begun by analyzing the concept of organicity of Konstantin Stanislavski, russian director from the twentieth century. This notion will serve as an introduction to the technique of William Layton, actor, director and theater professor who created a technique that helps the actor to achieve the organicity on stage. Finally we introduced the the theoretical proposal of Ernesto Ortiz, professor of contemporary dance in Performing Arts at the University of Cuenca, as he seeks to achieve a contemporary dance that meets the needs and bodily instincts of the dancer, but not the choreographer or director. This has been interpreted as a quest to achieve the organicity of the dancer on stage. So a laboratory process sterted, in which a character was created and interpreted in several scenes