La música global y su incidencia en la creación de géneros musicales ecuatorianos en la asociación de artistas profesionales de la ciudad de Loja

Abstract

This work constitutes a sociological anthropological research, which aim is study the influence of globalization on music and identity of peoples, through the theoretical foundation that raises Néstor García Canclini, as well as the conceptualization of Global Music term coined by anthropologist Robert Brown who considered a musical genre that allows to include different genres that exist in the world. The study of musical genres that can be considered as traditional in Ecuador is another aspect that works in this research through the criterion that gives us the Ecuadorian Musicologist Mario Godoy, for which a focused work is done in a guild of musicians called Association of Professional Artists of Loja, by collecting works created by members of this association with musical genres such as Parade, Sanjuanitos and corridors. Aspects such Acculturation and cultural identity are also considered in this investigation, as references to take on these issues Josep Martí allow us to understand the processes of alienation by traversing companies from some social phenomena, such as the migration and more influential than is Globalization. Finally a musical analysis of the works found, in addition to considering the approach of the Canadian semiotician Jean Jaqcues Nattiez on the poetic level in the creation and dissemination of a musical work is performed. As interviews and surveys ASAPLO partners that allow us to determine the impact of Global Music for the creation of new musical elements with traditional genres of Ecuador are made.