Artes Musicales-Pregrado

Permanent URI for this collectionhttps://dspace-test.ucuenca.edu.ec/handle/123456789/134

Browse

Now showing 1 - 16 of 16

Análisis formal de la obra Raíces del compositor ecuatoriano Cristian Orozco, una propuesta para la adaptación para marimba de cuatro octavas
(Universidad de Cuenca, 2025-07-01) Sumba Lucero, Jairo Augusto; Escudero Uchuari, Manuel Alejandro
The work hereby with the title Análisis formal de la obra Raíces del compositor ecuatoriano Cristian Orozco, focuses on a detailed study of Orozco's musical piece. The main objective of this work is to analyze the formal structure of the piece in order to identify the musical and extra musical elements used and their function in the composition. The analysis of this work encompasses the formal structure, the musical language and the interpretation of the analyzed piece by Orozco. The structure of this work is studied and three main sections are recognized: introduction, development and conclusion. In the same way, the role of different musical elements used around the piece, including harmony, melody and rhythm, have been studied to establish their function in the composition. Finally, the contribution to the performance of the work is analyzed and interpretative ideas are suggested to adapt this piece written for a five-octave marimba to a four-octave marimba. Given that access to an instrument with the characteristics required on the piece is far within reach of most of the interpreters, performance ideas are discussed in order to adapt this piece written for a five-octave marimba to a four-octave marimba. Some of these resources include the exchange of voices, the change to the upper octave of certain fragments and the substitution or omission of some notes within chords and scales.
Composición de cuatro canciones en género fusión para el formato banda de rock utilizando modos de la armonía moderna
(Universidad de Cuenca, 2021-05-04) Iván Patricio, Barros Rodas; Urgilés Cárdenas, José Eduardo
The present degree work is focused on the creation of four fusion genre songs for the rock band format, using modern harmony modes. For the composition of these songs, musical elements such as melody, harmony and rhythm are combined, from each of the aforementioned genres. Prior to the compositional process, the historical antecedents of jazz, funk and rock have been investigated. It should also be noted that, in the curse of this investigation, a focus has also been made on the musical characteristics of each genre. To address modern harmony, the author Enric Herrera has been taken as a reference and later, in order to further expand the knowledge about this harmony, Claudio Gabis and Luis Vergés were also considered as well. Then, once the information had been collected, we proceeded to create the four compositions and analyze each one of them, thus demonstrating that they have been focused on the fusion genre using modern harmony.
Composición de cuatro obras en género bossa nova para guitarra y flauta traversa
(Universidad de Cuenca, 2020-12-18) Llanos Zamora, José Napoleón; Jumbo Medina, Wilmer Fermín
The Brazilian genre Bossa Nova contains relevant characteristics as for its instrumentation, social context, composers, and performers in its region of origin and Latin America. Considering these points, the present project focuses on the composition of four songs for guitar and traverse flute with the purpose of expand history information and about the compositional processes used within of genre, also as part of the completion process and education in Music School of the University of Cuenca.
Composición de dos temas de jazz fusión y albazo, para formato de ensamble mixto
(Universidad de Cuenca, 2024-07-17) Luna Palacios, José Enrique; Ortega Barros, Jorge Alfredo
The fusion of musical styles is an innovation that constantly occurs in music, which is why it is necessary to innovate in Ecuadorian musical art, as there are nationalistic styles that have not been thoroughly explored, especially in terms of stylistic fusion. This project focuses on the composition of original songs, researching, analyzing, and merging sound resources and instruments from both national and foreign genres, specifically the "albazo" (Ecuadorian) and jazz (a globally originated music born in New Orleans). The set objectives involve composing two fusion songs for a mixed ensemble format, delving into the musical characteristics of the chosen genres and their main influencers. Additionally, a formal analysis of the composition techniques of each style is undertaken, followed by the composition and explanation of the compositional process of the pieces. The methodology used follows Jan LaRue's approach, which outlines fundamental stages: background, observation, and evaluation. The results of this work encompass a theoretical foundation of the two styles used, achieved through formal analysis and subsequent adaptation to function as a fusion. Furthermore, there is a detailed account of the composition process. It is concluded that the fusion of "albazo" and jazz is feasible, as supported by the results tables. This work can serve those who intend to work with these two styles later, taking into account the ease and challenges they might encounter in the compositional process
Composición de varias obras musicales
(Universidad de Cuenca. Facultad de Artes Musicales, 2008) Urgilés Cárdenas, José Eduardo; Avecillas, Edgar
Composición e interpretación en concierto de cuatro temas musicales enfocados a la guitarra acústica como instrumento solista utilizando el estilo percussive fingerstyle
(Universidad de Cuenca, 2020-10-30) Loja Barbecho, Flavio Adrian; Ortega Barros, Jorge Alfredo
This research work is based on the composition of four musical themes focused on the acoustic guitar as a solo instrument, all this under the style currently known as Percussive fingerstyle. Similarly, we proceed to review the background of this style focusing on different points such as its origin, its development throughout history, the main exponents of that style, along with the characteristics that make up the fingerstyle style. A morphological, rhythmic, harmonic and melodic description of the finger style is also elaborated, using for it three musical works which are developed under this style, finally ending with the creation of the four compositions, the analysis of two of them and the interpretation of the works.
Composición y análisis de la obra musical Mañana para orquesta sinfónica, coro mixto y medios electroacústicos
(2008) Luna Matailo, José Luis; Terterian, Rubén
Composición y análisis de la obra musical REQUIEM a los migrantes para solistas, orquesta sinfónica y coro mixto
(Universidad de Cuenca. Facultad de Artes, 2010-11-11) Uyana Guasumba, Diego Lizardo; Peñaherrera Wilches, Jimena
Creación de dos arreglos de pasillos ecuatorianos para un formato de banda rock pop: Horas de Pasión y Acuérdate de mí
(Universidad de Cuenca, 2024-10-17) Barrera Miranda, Xavier Santiago; Ortega Cedillo, Nelson Darío
The objective of this work is to create two arrangements of Ecuadorian Pasillos for a pop rock format, for this the songs Acuérdate de mí by Luis Alberto Valencia and Horas de Pasión by Francisco Paredes Herrera. This proposal is the result of research into the genres of Ecuadorian popular music, specifically the aisle, combined with the study of arranging techniques, specifically with the proposals of Genichi Kawakami in his book Arranging popular music: a Practical Guide. This proposal is divided into two parts: 1) The contextualization of theoretical aspects of the hall, pop and the creation of arrangements; 2) The Formal and Arrangement Analysis of the works produced in this work, for this, in addition to the aforementioned Kawakami literature, two texts have been used as a guide: Analyzing Classical Form by William E. Caplin (2013) and Form by James Mathes (2006)
Creación de tres obras instrumentales tomando como modelo creativo, el estilo denominado Salsa
(Universidad de Cuenca, 2020-11-12) Nivicela Barreto, Jaime Gustavo; Uyana Guasumba, Diego Lizardo
The style called Salsa has its own characteristics depending on its instrumentations, social environment, regions, exponents, performers and composers from different parts of the world. And according to these premises, three instrumental compositions were made with the aim of contributing to the expansion of information on the creative processes used within the Salsa.
Elaboración de un EP de tres canciones detallando producción y postproducción del género indie pop
(Universidad de Cuenca, 2024-03-05) Pintado Villarreal, Jonnathan Javier; Ortega Barros, Jorge Alfredo
By creating an EP of three songs, we seek to carry out a recording session and its postproduction, from composition to delivery of the final sound artistic product, based on the fusion of the indie genre and the pop genre, after having carried out an in-depth analysis of the different elements that constitute these specific musical genres, taking elements from each one, based on established criteria and delimitations, in the case of pop music, choosing musical elements from representative works included among the 90s and 2000s, and in the case of indie, outstanding songs between 2010 and 2020, mixing the different particularities of each one to create an unreleased song, resulting in an organic fusion of the multiple characteristics that are part of each musical genre, so that it serves as a guide for carrying out projects, regardless of who uses these tools, and can follow the process in detail, obtaining the expected results and benefiting from the work prepared, to fill gaps that exist regarding musical production in its different stages, achieving expertise in the field of composition, analysis, fusion, recording of the material, editing, mixing and mastering of the project.
Estudio de los aspectos técnico pianísticos de los 24.5 Preludios para piano de Arturo Rodas, según la metodología de Alfred Cortot
(Universidad de Cuenca, 2024-08-29) Peláez Narváez, Daniela Lizbeth; Encalada León, Pablo David
The purpose of this study is to comprehend the technical-pianistic aspects of the 24.5 Preludios of the Ecuadorian composer Arturo Rodas, with the intention of creating literature about the piano repertoire of this composer. Considering that Preludes Nos. 8 and 9 will be performed at the graduation recital of the author, it results essential to clarify their instrumental complexities and to offer a general understanding of the piece. For this reason, the work will focus on a wide sample of 12 preludes corresponding to the 3 books that comprise the collection as follows: book I, 3, 4, 8, 9, 10; book ll,12, 13,14; book III, 18,20,22, 22 1⁄2. This selection summarizes common aspects within the collection, such as the use of clusters, dynamic contrasts, agogic considerations and the use of pedal. The methodological model to follow will be Alfred Cortot's edition of Frédéric Chopin's Etudes Opus.10, considering the pragmatic strategies that the French pianist applied to teach these etudes, helping the development of pianistic technique through the use of several practice strategies applied to the pieces
Fusión de black metal y música ecuatoriana: producción de un sencillo instrumental
(Universidad de Cuenca. Facultad de Artes, 2026-03-03) Barreto Velecela, Emanuel Alejandro; Vázquez Jaramillo, David Santiago
The Purpose of this work is to explore a process of musical creation based on the fusion between black metal and traditional Ecuadorian music, approached from composition and music production. The work is based on a thorough analysis of the musical features of both genres, considering elements such as rhythm, harmony, melody and instrumentation, in order to identify points of convergence that allows a coherent dialogue between musical genres from different cultural and aesthetic origins. From this approach, an innovative musical proposal is developed that integrates elements of traditional Ecuadorian music within a contemporary context, while preserving its identity and expressive function.
Propuesta de estudio para la resolución de problemas técnicos del Concertino para trombón y orquesta en Mi bemol mayor Op. 4 de Ferdinand David
(Universidad de Cuenca, 2023-09-06) Yumisaca León, Jhonatan Israel; Peñaherrera Wilches, Jimena
The objective of the present work is to elaborate a practice proposal for resolving the technical challenges of Ferdinand David’s Concertino in E flat major for Trombone and Piano, Op. 4. It begins with a bibliographic exploration of works related to the subject, with the goal of generating tools that provide an initial guide to supplement the topic of the present proposal. It is based on a historical contextualization of the composer and his work, later entering a musical analysis. Such analysis serves as a strategy for demarcating complex passages and for the proposal of their technical resolution, based on exercises from authors such as Arban, Rochut, and Clarke, along with other methods formulated through the personal experience of the author of this work.
Propuesta interpretativa de la Sonata No. 3 Op. 5 de Johannes Brahms a partir de las concepciones del compositor y su entorno musical
(Universidad de Cuenca, 2025-03-13) Villamarin Gaona, Johanna Karolina; Encalada León, Pablo David
The present degree work consists of making an interpretative proposal of sonata no. 3 op. 5 by composer Johannes Brahms, based on the original conception and performance style of the composer, and his closest pianistic circle. The interpretative proposal of this sonata will be made based on an analysis and identification of technical and stylistic resources such as: tempo management, phraseological construction and character. It will have a musicological and interpretive approach using the comparison of recordings of performers close to Brahms.
Realización de tres composiciones para coro basadas en ritmos tradicionales ecuatorianos
(Universidad de Cuenca, 2024-03-14) Vélez Naula, David Alexander; Ortega Cedillo, Nelson Darío
The present research project aims to create three compositions inspired by traditional Ecuadorian genres such as sanjuanito, danzante, and yaraví. These compositions will be intended for performance in a choral or vocal quartet a cappella format. To do so, I begin with a descriptive analysis of the antecedents of Ecuadorian Traditional Music, which gives rise to a brief overview of the usual uses of music by the inhabitants of the territory that we now identify as Ecuador; this will allow us to understand the character and intention of the works. Next, we continue with a description of the harmonic, rhythmic and melodic compositional techniques that have been used in the elaboration of the compositions. Therefore, there is a descriptive and comparative analysis of the works, which will show the author's research and creative work from a technical perspective. Finally, the product that has been reached after the research process is shown, which consists of the definitive scores of the three compositions, identified as Sanjuanito Opus 1, Danzante Opus 1 and Yaraví Opus 1.

Browse

Browsing Artes Musicales-Pregrado by Subject "Composición musical"