Artes Musicales-Pregrado

Permanent URI for this collectionhttps://dspace-test.ucuenca.edu.ec/handle/123456789/134

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Acercamiento a los elementos compositivos y pianísticos del pasillo para piano Agur del compositor Henry Alvarez
(Universidad de Cuenca, 2022-01-06) Alvarez Matute, Henry Emanuel; Bueno Escobar, Julio Darío
The present document it´s about an approach to compositional structures, to establish musical elements that will serve in the understanding and pianistic interpretation of the work. By recognizing these elements, characteristics of Ecuadorian musical folklore can be identified, fused with styles, techniques and academic structures of the nationalist current. This work carries out a qualitative study, because the Agur pasillo is an observable fact designed to make specific points of view known in piano performance in various aspects such as compositional style, shape, texture, agogic, dynamics, etc. On which the recommendations that require a clear, clean and balanced acoustic production will be made. It is necessary to remember that there is no information regarding the academic Agur pasillo, because it belongs to the authority of Henry Alvarez, a composition completed approximately in the year 2017, so this work serves as a source that allows us to understand the musical conception of the work, the historical context on which it was based for its composition which addresses the style, form and compositional processes extracting the musical elements that are present in it.
Acercamiento analítico musical al repertorio discográfico de la agrupación folklórica chordelense Sangre Criolla, período 1992-2018
(Universidad de Cuenca, 2021-09-07) Serrano Idrovo, José David; Alvarado Delgado, Jannet Emperatriz
The present research work took place in Chordeleg which is a town that belongs to the province of Azuay in Ecuador. This investigation work is based on the knowledge acquired in the musical area of the folk group “Sangre Criolla”. It is important to mention that this musical group belongs and lives in this place. In this context, the degree work entitled "Musical analytical approach to the record repertoire of the chordelense group Sangre Criolla, period 1992-2018" was proposed. For this study, the sociocultural environment, history, musical trajectory of the group and its contribution to the national repertoire have been considered; Likewise, technical transcriptions of various themes from his discography were elaborated, detailing melodic and harmonic fragments of each one. Based on this information, a theoretical-practical work is developed whose objective is to provide an academic contribution to Ecuadorian music.
Actualización de obras musicales populares ecuatorianas en el contexto contemporaneo
(Universidad de Cuenca. Facultad de Artes, 2011-11-11) Tepán Tamay, Juan Carlos; Freire Soria, Carlos Gonzalo
Adaptación de dos obras pianísticas del compositor ecuatoriano Corsino Durán para dos guitarras: Anacu Ruju y Chaquiñán
(Universidad de Cuenca. Facultad de Artes, 2026-01-28) Rodas Bonilla, Esteban Andres; Ortega Cedillo, Nelson Darío
The research seeks to explore and reinterpret the rich Ecuadorian musical heritage through the adaptation of two emblematic works by maestro Corsino Durán. This composer, known for his nationalist style and his ability to fuse folkloric elements from contemporary techniques, offers a repertoire that reflects the cultural identity of Ecuador, highlighting the pieces Anacu Ruju and Chaquiñán, which still resonate in the soundscape of the country. The work will focus on the adaptation of these works for guitar duo, allowing a new interpretation that broadens their accessibility and appreciation. Through this process, it is intended not only to honor Durán's legacy, but also to encourage interest in contemporary ecuadorian music.
Adaptación de ejercicios del método número 1 para guitarra de Julio Sagreras a través de la Musicografía Braille
(Universidad de Cuenca, 2022-02-09) Guamán Parra, José Daniel; Ortega Cedillo, Nelson Darío
The purpose of this research project is to create support material that allows people with visual disabilities to learn and develop the technique for playing the guitar, using the high-relief musical writing system called Braille Musicography. For this reason, the musical nomenclature of the Braille system (Braille Musicography) is presented in which each musical sign, figure are represented by the combination of six points in high relief arranged in two columns of three rows within a cell. Finally, the adaptation of 49 exercises of method number 1 for guitar by Julio Sagreras to Braille Musicography is carried out.
Adaptaciones y arreglos de dos pasillos para guitarra y requinto
(Universidad de Cuenca. Facultad de Artes., 2012) Villavicencio Salas, Danilo Fernando; Ortega Barros, Jorge Alfredo
Análisis armónico – formal de los temas Corazón Equivocado, Ñuca Llacta y Caraway del grupo Ñanda Mañachi
(Universidad de Cuenca, 2022-02-17) Santillán Montalvo, Leslie Dámaris; Saula Fuentes, Verónica Johanna
This research paper proposes the analysis of three musical themes of the Ecuadorian group Ñanda Mañachi, in order to understand its compositional and interpretative method. This research covers the history and trajectory of the group from its origin to the present day. It presents the transcription of the works "Corazón Equivocado", "Ñuca Llacta" and "Caraway", of which an analytical study is carried out both harmonic and formal.
Análisis comparativo entre las versiones editoriales de David Oistrakh y Émile Sauret del Concierto para violín y orquesta no. 3 en si menor Op. 61 de Camille Saint-Saëns
(Universidad de Cuenca, 2024-09-06) Cabrera Espín, Cristopher Hernán; Vergara Saula, William René
This paper presents a comparative analysis of David Oistrakh’s and Émile Sauret’s editions of Camille Saint-Saëns’ Violin Concerto no. 3 in b minor Op. 61. The main goal is to examine and evaluate the significant differences between both versions, offering a detailed insight into the technical, stylistic and aesthetic aspects that influence the interpretation of this iconic work from the violin repertoire. To conduct this research, a comparative editorial analysis of the concerto’s three movements was carried out, identifying the melodic, rhythmic, and harmonic characteristics that define each section. Oistrakh and Sauret’s interpretative decisions were considered, analyzing how each violinist brings out their unique understanding of Saint-Saëns’ compositional style and historical context. The study reveals how differences between editions can profoundly impact artistic expression and the overall understanding of the score. Through the technical and stylistic analysis of Oistrakh’s and Sauret’s editions this paper aims not only to identify the differences between both versions but also to offer valuable insights that can enrich the interpretative practice of musicians and scholars. The investigative and comparative process reveals that editorial decisions and interpretative preferences of each violinst reflect their own artistic conceptions, and that both versions provide unique perspectives that performers can use to develop an informed and meaningful interpretation of Saint-Saëns’ work. This comparative analysis contributes to the fields of musicology and musical interpretation
Análisis de la obra Tres Piezas para Violín y Piano de Diana Alvarado
(Universidad de Cuenca, 2025-09-29) Alvarado Ortega, Diana Belén; Hernández Sarmiento, Carlos Felipe
This undergraduate thesis is grounded in Jean-Jacques Nattiez’s tripartite model of musical semiology, specifically applying two of its levels: the syntactic (neutral level) and the poietic analysis. The subject of study is the original work Three Pieces for Violin and Piano by Diana Alvarado, inspired by Oscar Wilde’s tale The Nightingale and the Rose. Through a structural and compositional lens, the research examines formal, motivic, and rhetorical procedures across the pieces Romance, Anhelos, and Poema, as well as the creative decisions that articulate the work as an expressive whole. Although the composition includes elements related to Ecuadorian nationalism, these are part of a broader strategy that incorporates contemporary and programmatic techniques. The study concludes that the work represents a meaningful contribution to the national academic repertoire, notable for both its originality and its analytical and interpretive potential.
Análisis del repertorio operístico y de cámara, latinoamericano y ecuatoriano
(Universidad de Cuenca. Facultad de Artes, 2012-11-11) Duchimaza Cabrera, Fanny Cumandá; Alvarado Delgado, Jannet Emperatriz
Análisis e interpretación de la “Sonatina Litoral” del compositor David Díaz Loyola: influencia del nacionalismo ecuatoriano en el pensamiento musical
(Universidad de Cuenca, 2023-02-28) Vinueza Alvarez, Carlos Alberto; Morocho Guamo, Paulo César
The following degree project entitled "Analysis and interpretation of the Sonatina Litoral by the composer David Díaz Loyola: Influence of Ecuadorian nationalism on musical thought", proposes an interpretative vision which has been performed on a clarinet and focused on the analysis of the structure of the aforementioned musical work. Therefore, factors related to dynamics and tempo - musical terms that are strongly linked to interpretative aesthetics - are discussed from the point of view of the performer. Initially, the work, as well as the musical thought of the composer David Díaz Loyola are contextualized. Then his nationalist influence is analyzed. His work is described from its form, structure, harmony and Ecuadorian rhythms - features that are present in Loyola's work as an identity imprint. The project continues with the execution of the musical work on clarinet and piano, to conclude with the interpretative analysis of it, thus providing a contribution that may be considered as a guide for future versions. The aesthetics and thinking of the composer are also analyzed. Therefore, the interpretation aims to approach a proposal that links the tools of creation and the instrumental performance.
Análisis e interpretación de la obra Andino III del compositor ecuatoriano Arturo Rodas
(Universidad de Cuenca, 2021-12-01) Navarrete González, Sara Sofía; Fernández Vizcaíno, Sandra Patricia
The present work consists of a musical analysis of “Andino III”, a work by Ecuadorian composer Arturo Rodas, with the purpose of generating a performance proposal. This musical work is contemporary in nature and consists of sections and outstanding gestures, very particular to its time. As it does not contain, for the most part, traditional musical parameters, it invites a different type of analysis, appreciation and interpretation than what is customary. The methods used for this analysis are based on the terminologies found in the article “Gesture in Contemporary Music” by Zampronha (2005) and the magazine “Variaciones” Volume I (2019). Additionaly, schemes and references from the book "Musical Analysis: Keys to Understanding and Interpreting Music" by De Reizabal (2009) have been used. Apart from this analysis, an approach was made to the extended techniques of the transverse flute, especially to those present in the work “Andino III”. This approach provided an overview of the characteristics of the extended techniques and how to interpret them correctly.
Análisis e interpretación de la obra para flauta y piano Sonatina Oriental del compositor David Díaz Loyola
(Universidad de Cuenca, 2022-10-26) Espinoza Sánchez, Diana Carolina; Fernández Vizcaíno, Sandra Patricia
The present work aims to create a performance proposal of the Sonatina Oriental for flute and piano by the composer David Díaz Loyola. The object of study is linked to the need to create theoretical material that benefits the interpreter interested in performing the above mentioned piece or others with similar characteristics. The proposed objectives were to carry out a formal and technical analysis of the Sonatina Oriental for interpretive purposes, to generate a historical-stylistic context for the composer, to develop a performance proposal with suggestions and tools for working out technical difficulties and to perform the piece. The research techniques used were a bibliographical review, the compilation of historical data, and the analysis of the piece according to the Guía Práctica para la Aplicación Metodológica del Análisis Musical by Luis Ángel de Benito and Javier Artaza Fano. The main results of this work include a performance proposal for the piece and a theoretical basis for any student who would like to approach the study of the Sonatina Oriental by Díaz Loyola.
Análisis e interpretación de la obra Wiki para cuarteto de cuerdas del compositor David Tinitana
(Universidad de Cuenca, 2021-11-23) Puchaicela Gualán, Chakira; Vergara Saula, William René
This bachelor work is about a musical, technical-instrumental and performance analysis of the Ecuadorian composer David Tinitana’s work named Wiki. This piece is based on the traditional genre of the kichwa Saraguro culture. For this reason, a sociocultural context is showed to allow the understanding of this culture and genre. As a result, an edition of the work sustained on the analytic criteria is shown.
Análisis e interpretación de la Sonata para clarinete y piano de Leonard Bernstein
(Universidad de Cuenca. Facultad de Artes, 2025-10-07) Cargua Herrera, Allan Javier; Salaberri Lecumberri, Fermín
The present work embodies an in-depth musical and interpretive analysis of Leonard Bernstein's Sonata for clarinet and piano. It presents a biography of the composer and contextualizes the work within Bernstein's career, including his influences, both academic (Hindemith, Copland, etc.) and popular (jazz, blues, etc.). The methodology employed is described as follows: a review of primary sources (score, recordings, biography) and the levels of analysis (structural, motivic, and harmonic). The study of each of the movements reflects the influences and innovations both in the first movement, which is strongly neoclassical in its structure derived from classical sonata form, and in the second movement, which is more influenced by blues and jazz and has a more free-form structure. The third chapter is devoted to examining technical tensions: register jumps, high-pitched fingering, tuning control, and breath support. Each difficulty is accompanied by specific exercises, based on classical methods, to perfect articulation, breathing, and finger precision. Finally, practical solutions are proposed and the integration of technique and expressiveness is reflected upon, highlighting how Bernstein harmonizes structural rigor and rhythmic vitality. This work enriches the preformative option of one of the most iconic works for the clarinet and offers solid tools to solve and improve upon its most challenging technical passages.
Análisis e interpretación de la Sonatina para clarinete y piano del compositor Malcolm Arnold
(Universidad de Cuenca, 2023-02-13) Ramón Arévalo, Christian Andrés; Morocho Guamo, Paulo César
The objective of this degree thesis is to create an interpretive proposal for the Sonatina for clarinet and piano by the composer Malcolm Arnold. This study is linked to the need to create investigative and theoretical material that benefits when interpreting and executing the similar characteristics with the silver objectives through an interpretive methodology of all his works, from the simplest to the most recognized in the world. Through a formal analysis generating a historical-stylistic context of the composer, the most used research techniques were his biography, when he began his journeys and how many musical works I think were his successes and failures. At the same time, the investigations carried out by: Artaza, Martínez, Ross, etc. were considered. For all this, a meticulous study of each of the biographies provided was carried out. The main result was that they understand an interpretative proposal with a theoretical basis for those students who are interested in addressing studies on different types of neoclassical musical works of the 20th century, which is presented in the sonatina for clarinet and piano.
Análisis e interpretación de las obras musicales para piano de los estilos barroco, clásico, romántico y del siglo XX
(Universidad de Cuenca. Artes Musicales, 2011-11-11) Bueno Escobar, Julio Dario; Crespo González, Mercedes
Análisis e interpretación de las obras para clarinete del período romántico y el siglo XX
(Universidad de Cuenca. Facultad de Artes, 2011-11-11) Morocho Sinchi, Martín; Crespo González, Mercedes
Análisis e interpretación de obras seleccionadas del repertorio para soprano
(Universidad de Cuenca. Facultad de Artes., 2011) Regalado Arguello, Vanesa Nataly; Molerio Rosa, Arleti María
Análisis Estilístico de las Variaciones sobre un Tema Rococó Op. 33 de Piotr Ilich Tchaikovsky para Violonchelo y Orquesta
(Universidad de Cuenca. Facultad de Artes, 2025-10-02) Caiza Quezada, Mónica Gabriela; Fernández Vizcaíno, Adriana Cristina
This research focuses on the analysis of Variations on a Rococo Theme, Op. 33 by Pyotr Ilyich Tchaikovsky, using the version revised by cellist Wilhelm Fitzenhagen. The study adopts a stylistic approach based on Jan LaRue’s analytical model. Through the examination of the parameters of Sound, Melody, and Form, the analysis explores how the composer achieves a synthesis between Classicism—particularly the galant style of the 18th century—and the emotional language of Romanticism. Originally conceived for cello and orchestra, the work not only reflects a nostalgic reimagining of the past, but also represents an expressive exploration of the solo instrument. This research proposes a critical and interpretative reading that considers the composer’s aesthetic context in order to define the character of each variation. In doing so, it highlights the stylistic richness of the piece and its enduring interpretative relevance today.