Artes Musicales-Pregrado

Permanent URI for this collectionhttps://dspace-test.ucuenca.edu.ec/handle/123456789/134

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Análisis de las composiciones de músicos cañaris del siglo XX: José María Guamán Pichazaca, José Santiago Guamán Pichazaca y Pedro Pichazaca Mayancela
(Universidad de Cuenca, 2023-09-29) Parra Pastuisaca, José Luis; Alvarado Delgado, Jannet Emperatriz
The present project of qualification called, "Analysis of the Compositions of the Cañari Musicians of the 20th Century: José María Guamán Pichazaca, José Santiago Guamán Pichazaca, and Pedro Pichazaca Mayancela", aims to recover and select the compositions of the aforementioned musicians for their enhancement. In addition, the transcription and approximate analysis of the musical works composed by the autochthonous Cañari musicians were carried out; since there is little information about the investigations of musicians and instrument makers of the Cañari culture of the Quilloac community of the Cañar Canton. In the same way, there is a shortage of reviews that show the authors of the themes or musical rhythms that currently exist in the aforementioned community. The research techniques used are based on interviews, literature reviews, and Grebe's (1976) ethnomusicological methodology, which takes into account the object, methods, and techniques of ethnomusicological research. As a final result, we can mention that a detailed report of the compositional analysis of the Cañaris musicians was obtained, in which aspects of musical forms, melodic, rhythmic, and instrumentation analysis are approached from an approximate point through a musical score. In this work, it is determined that the possibilities for the analysis and transcription of autochthonous rhythms are feasible and very necessary, taking into account that, at present, technology allows different facilities as a tool to record the native Cañaris melodies within their sociocultural context.
Análisis e interpretación de la Sonata para clarinete y piano de Leonard Bernstein
(Universidad de Cuenca. Facultad de Artes, 2025-10-07) Cargua Herrera, Allan Javier; Salaberri Lecumberri, Fermín
The present work embodies an in-depth musical and interpretive analysis of Leonard Bernstein's Sonata for clarinet and piano. It presents a biography of the composer and contextualizes the work within Bernstein's career, including his influences, both academic (Hindemith, Copland, etc.) and popular (jazz, blues, etc.). The methodology employed is described as follows: a review of primary sources (score, recordings, biography) and the levels of analysis (structural, motivic, and harmonic). The study of each of the movements reflects the influences and innovations both in the first movement, which is strongly neoclassical in its structure derived from classical sonata form, and in the second movement, which is more influenced by blues and jazz and has a more free-form structure. The third chapter is devoted to examining technical tensions: register jumps, high-pitched fingering, tuning control, and breath support. Each difficulty is accompanied by specific exercises, based on classical methods, to perfect articulation, breathing, and finger precision. Finally, practical solutions are proposed and the integration of technique and expressiveness is reflected upon, highlighting how Bernstein harmonizes structural rigor and rhythmic vitality. This work enriches the preformative option of one of the most iconic works for the clarinet and offers solid tools to solve and improve upon its most challenging technical passages.
Análisis interpretativo de la Suite para flauta y piano del compositor ecuatoriano Jacinto Freire
(Universidad de Cuenca, 2024-01-16) Quintuña Zaldúa, Paúl Gabriel; Fernández Vizcaíno, Sandra Patricia
The objective of the present work is the production of an interpretative proposal with recommendations for the performance of the Suite for flute and piano by Ecuadorian composer Jacinto Freire. The proposal is the result of an exploration of the Ecuadorian musical genres present in the piece, as well as the analysis of simple forms, as well as a phraseological analysis, following the parameters of analysis proposed by Margarita and Arantza Lorenzo de Reizábal. The recommendations for interpretation are also based on the comparative analysis of three existing recordings of the Suite for flute and piano, in which the versions of each performer are analyzed, prior to the presentation of the author's interpretative proposal. Finally, as an additional objective, the present work aims to broadcast Jacinto Freire's music, making his musical and pedagogical career known, including a catalog of his works, awards, and recognitions.
Análisis y Bitácora sobre el Concierto en SibM para fagot y orquesta
(Universidad de Cuenca. Facultad de Artes, 2026-02-27) Coello Velecela, Anabel Paola; García Asitimbay, Miguel Antonio
This work, titled Analysis and Practice Journal of Concerto in Bflat Major for Bassoon and Orchestra, addresses topics that enable the technical, theoretical, and musical development of the piece. First, the conceptual theoretical foundations are established, covering the composer's biography, the historical context of the work, and the period to which it belongs. These serve as a basis for understanding the concerto and as a guide for making decisions regarding technical and interpretative matters. The structural analysis of the three movements comprising the work is also described, along with the cadenza of the first movement, following the analytical methodology of Luis Ángel De Benito and Jan LaRue. Subsequently, the structure of the practice journal is presented, mentioning the pedagogical methods used for the development of the musical work. Additionally, the study of Wolfgang Amadeus Mozart's Concerto in B-flat Major for Bassoon and Orchestra is described, providing concrete guidelines for optimal musical performance.
Edición crítica del Capricho Español para violonchelo y piano de Luis Humberto Salgado
(Universidad de Cuenca. Facultad de Artes, 2025-10-17) Chica Fuentes, Fernando Vladimir; Fernández Vizcaíno, Adriana Cristina
This study focuses on Capricho Español for cello and piano by Luis Humberto Salgado, a rarely performed piece within the Ecuadorian repertoire for this instrument. Drawing on sources such as the doctoral thesis of cellist Adriana Fernández, the original manuscript, a recent transcription, and performers’ testimonies, it proposes a critical edition grounded in contextual research, formal analysis, and interpretive practice. The goal is to provide a musically faithful and technically feasible version that promotes the dissemination and reappraisal of this work within the academic repertoire.
Elaboración de tres arreglos corales a cappella a cuatro voces sobre la base de la estructura rítmica y armónica del género pasacalle
(Universidad de Cuenca, 2025-03-11) Gallegos Déleg, Anderson Marcelo; Molerio Rosa, Arleti María
The objetive of this project is to create three a capella four-part choral arrangements using the pasacalles genre. The pieces considered for the creation of the arrangements are the pasacalles “La Tuna Quiteña” by Leonardo Páez, “Perla Ecuatoriana”, and “Panaderita del Vado” by Rafael Carpio Abad. A methodology is proposed based on the use and review of primary sources, such as books on composition techniques and musical analysis, to establish the structural and harmonic basis of the compositional process. The project uses the deductive method, which analyzes conclusions from premises to arrive at a specific concept, both in theory and in the compositional process. This facilitates the search and analysis of key concepts such as vocal technique, compositional elements and features of the pasacalle. Among the results, it is expected to obtain material based on three a cappella choral arrangements in four-voice format based on harmony, rhythm and the description of the technical compositional process. This project is guided by the characterization of the pasacalle genre, considerations of vocal technique, and literaly and musical analysis to understand the compositional development of the technical and musical resources employed in the choral arrangements. Finally, an evaluation of the final arrangements by one expert, including Mgt. Wilmer Jumbo, is presented.
Fundamentación teórico-metodológica para la producción de un sencillo musical, basado en el análisis del género pop actual
(Universidad de Cuenca, 2024-03-20) Parra Villalta, Alex Eduardo; González Orellana, Víctor Lenin
Independent music production has certain limitations when it comes to generating a quality musical product, this brings with it the need to create a theoretical-practical guide of the steps to follow to achieve quality results when making a musical production, save time and develop critical listening skills, setting an example through the pre, pro and post production (composition, arrangements, recording, editing, mixing and mastering) of a musical single. The methodologies proposed for the musical and technical analysis are linked to ideas and opinions of composers and producers of the time, as this helps to understand in a better way how the creative process is nowadays and the management of music production tools, providing a starting point for new generations of music producers, with an artistic and critical approach. By proposing a clear example as a result of the process, the objective of illustrating the application of the tools and techniques used by composers and music producers today in a pop music production is achieved
Método didáctico para guitarra sola para la elaboración de dos arreglos musicales en el género rock y pop: When the Party’s Over y Seven Pillars of Wisdom
(Universidad de Cuenca, 2025-03-31) León Rodas, Daniel Sebastian; Ortega Cedillo, Nelson Darío
The present thesis work focuses on the elaboration of a didactic method for the creation of two musical arrangements, which follow a technical process designed in four phases, which are: technique by reduction and adaptation, reharmonization and restrucutration of the form of the songs, whose genres are determined within the pop and rock musical genres. The first chapter deals with the historical, theoretical and artistic background of composers and musical genres. Likewise, the selection criteria for choosing the works as the object of study of the thesis are presented. Finally, a study of the arranging and compositional techniques for the creative process is made. Also, the technical possibilities of the guitar relevant to the development of musical arrangements. The second chapter presents the musical arrangements through a descriptive melodic, harmonic and morphological analysis. In the melodic treatment, the techniques of melodic development are pointed out. Likewise, in the harmonic process, the use of the techniques of reharmonization of the musical arrangements is described. And finally, in the morphological development, the restructuration of the original form of the songs is presented. The third chapter presents the didactic method through four phases, which are: the first phase, which consists of the delimitation of the work by means of the reduction of the songs; the second phase is limited to the adaptation of the works to the solo guitar; in the third phase, the reharmonization of the songs is carried out; finally, in the fourth phase, the technical possibilities for the morphological re-structuring of the original songs are presented.
Propuesta interpretativa del concertino para marimba y vientos del compositor Alfred Reed, basado en el análisis comparativo
(Universidad de Cuenca, 2020-10-26) Ortiz Loja, Pedro Xavier; Escudero Uchuari, Manuel Alejandro
The purpose of the present study is to develop a performance proposal of the Concertino for Marimba and Winds by composer Alfred Reed. In order to reach this goal, the first step was a revision of the musical trajectory of the composer; in addition, a comparative analysis was developed between two Latin American percussionists and their interpretations of the piece. The proposed study was based on the constant practice of the Concertino, an exhaustive exploration of the instrument and a contrast with the interpretations analyzed. This approach provides an opportunity for other percussionists to analyze the piece and develop their own interpretations.
Propuesta Interpretativa del Preludio de la Suite N°1 en Sol mayor del Johann Sebastian Bach transcripción para contrabajo solo
(Universidad de Cuenca, 2024-05-06) Bravo Lituma, Alondra Maite; Tigre Astudillo, David Ulises
This work focuses on providing a detailed interpretation of the "prelude" dance from Suite No. 1 in G major composed by Johann Sebastian Bach. Its main objective is to present a robust interpretative proposal through an exhaustive musical analysis. To achieve this, a thorough investigation is conducted, taking into account the historical-musical context of the piece. This analysis is grounded in the use of specific stylistic and technical resources that enable the construction and support of the interpretative proposal, emphasizing key elements to comprehend and appreciate this composition by Bach
Sonatina andina para oboe y piano de David Díaz Loyola: una propuesta interpretativa
(Universidad de Cuenca, 2024-01-10) Pérez Hidalgo, María Belén; Encalada León, Pablo David
The present work focuses on generating an interpretive proposal for Sonatina Andina, a work written in 2015 for oboe and piano by Ecuadorian composer David Diaz Loyola. The object of this study searches to create theoretical information for performers when selecting the piece as part of their repertoire. This interpretative proposal contains principally: 1) The contextualization of the life and work of the composer; 2) A study on the Ecuadorian genres present in the composition and; 3) A musical and instrumental technical analysis, seeking to offer an informed interpretation of the piece. The aforementioned aspects are considered relevant for the subsequent staging of the work.

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Browsing Artes Musicales-Pregrado by Subject "Análisis musical"