Browsing by Author "Brito Lorenzo, Saidel"

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    El escenario de las artes visuales contemporáneas en la ciudad de Guayaquil durante el presente siglo
    (2016-05-19) Brito Lorenzo, Saidel; Torres Palchisaca, Galo Alfredo
    The Research presents an evaluative analysis on the scene of the Contemporary Visual Arts in Guayaquil during the present Century and analyze the operation of various components of The Artworld such as the relationship between them from the incidence of ITAE in the artistic context of the City. Qualitative study orientation bets by a design of Research Design flexible and interactive which enables the construction of knowlegde and a deph analysis in relation to the context where the own research is generated. In this study play a key role the axiological and epistemological assumptions of the research while the researcher has been one of the actors involved in the subject of the study. The key findings show the local art scene has been revitalizing in the Century XXI as the result of new and vast generation of artists emerged in the city. So works as artists, the public, sciences of art, the media, the exhibition spaces, the art market, and the artistic training have had significant changes due to emerging production of the contemporary art and the leading role that had the Instituto Superior Tecnologico de Artes del Ecuador in the training of young artists and the direct impact taht they have reached in different spaces of cultural scene of the City
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    Proyecto artístico fotográfico, las distinciones del coaching, el ser, la fragilidad emocional y la finitud
    (Universidad de Cuenca, 2022-07-18) Avilés Hinojosa, Natalia Magdalena; Brito Lorenzo, Saidel
    This thesis project involves the memory of the construction of the artistic project Oxygen, a project that consists of a series of photographs of collages made with plant leaves, flower petals and handwritten letters, also showing the result of deterioration of these organic collages after spending weeks in a press and being exposed to sunlight. The photographic record of the transformation from organic life to death in these collages aims to raise reflections about being, about the emotional fragility in the human being and its relationship with the acceptance or rejection of their own finitude. This document records the artistic background, the observation and experimentation methodologies used to achieve the result of the final photographs, and mainly to highlight the transition between the distinctions of the Coaching discipline, the visual distinctions and artistic distinctions that exist inherent as the engine of the work, thus exposing a new way of knowing, exploring and experimenting within the creation process.