Mujer liminal: sensibilidad corpórea antropológica, gestual y rítmica

Abstract

From the research/stage creation work developed in the Scenic Creation Laboratory I, II and III chairs – taught in the Scenic Arts career of the Faculty of Arts of the University of Cuenca – a proposal for choreographic composition and installation was developed. , in which several technical, methodological and procedural perspectives based on the author's personal life experience were intertwined; and framed in some principles of the Anthropological Theater of Eugenio Barba and the Movement Analysis of Rudolf Von Laban. The perspective on the body –as a creative agent and bearer of discourses– was based on the self-exploration of technical knowledge, as a body prepared to be a sensitive manifestive instrument in a space-time. The development of this research was proposed to answer the question: How the concept of organic body of Eugenio Barba and the concept of organic movement of Rudolf von Laban allow to build a corporality for the creation of the character in the exercise of scenic composition Liminal Woman? This body awareness allowed the creation of an extra-daily body, understood as an organic state of the same, ready for the scenic action that, in addition, produces a clear liminal perspective: a bodily presence - as a transformation of femininity and the sensitive experience of the author – from memory, and its multiple edges, to build an active dialogue between body and technical knowledge, in the creation of a device that vivifies body memory, within a body-object visual framework, made possible also thanks to the aestheticmethodological relationship with the paper material, as a carrier and container of meanings, decanted likewise in a scenographic device. The final result was presented digitally motivated by the effects of COVID-19, therefore, the creative research experienced from the convivio, entered the virtual system or tecnovivio for reasons of the new social context.