Análisis de la estética del teatro cuencano contemporáneo y la necesidad de una práctica crítica teatral

Abstract

This research addresses the study and analysis of the Cuenca contemporary theatrical aesthetic as a main subject that emerges from three main roots: historical, artistic discourse and aesthetic conditioning factors, that has opened a broad panorama of aesthetic forms that determined the social praxis of Cuenca ́s scene, that has developed from the second half of the XX century. In this sense, emerges the idea to show the history of scenic art as the “Tres olas del teatro cuencano”, which work as a catalyst of several aesthetics forms of the local scene, they have their own artistic manifestations that response to their context and their expression through diverse characteristics, conditioning factors and discourse of the theatrical authors.