La exploración de la voz del actor para la creación del personaje de la muestra Historias Trenzadas a partir de la propuesta de Eugenio Barba sobre los principios que retornan

Abstract

The following graduation work is situated in the investigation of the actor's body. It has relation with the anthropological theater that Eugenio Barba proposes, it is deepened in the principles that return that it speaks in his book The Secret Art of the Actor. Above them the voice is explored, to build a character. The interest of this research is generated from how the body from these returning principles, is transformed and generates a state of pre-expressivity, perception and body awareness for the scenic creation. Then, a body training is proposed based on these principles in order to take the body to the required state. This body state serves as a platform for the exploration of the voice, the place where this investigation lies. The exploration of the voice comes from a previous laboratory work where this research cell was created. To settle this exploration more effectively, we will take as reference the book Organic Bases for the Education of the Voice (2002) by Ana María Muñoz and Chistine Hoppe-Lammer. In the end, body training and voice exploration are connected to explore, reflect and settle in the construction of a character that is reflected in the sample Braided Histories.